Sotheby’s was the first international auction house to offer regular sales of Photographs, beginning in 1971 in London, 1975 in New York, and 2002 in Paris. We sell photographs from the entire history of the medium, from salt prints and daguerreotypes of the 1840s to contemporary works of the present decade.  Included in our auctions are works by a roster of blue-chip photographers from around the globe, from William Henry Fox Talbot in London, to Eugene Atget in Paris, to Richard Prince in New York.

Sotheby’s Wine features fine and rare wines for current drinking, for cellaring and for investment, and specialises in offering the finest wine collections in the world at auction, through private sales and retail sales.

Featured in this 600-plus lot auction are 19th-century prints such as James A.M. Whistler’s etching Upright Venice, circa 1879-80. American print highlights include Edward Hopper’s Night Shadows, etching,1921; and Stuart Davis’s lithograph Theatre on the Beach, 1931, which depicts the Theatre de Montmartre. Significant works by European artists are Henri Matisse’s Odalisque au Magnolia,lithograph on Japan paper, 1928; and Max Beckmann’s Selbstbildnis, woodcut on Japan paper, 1922.; as well as drawings by Le Corbusier, Fernand Leger, Amedeo Modigliani and Picasso.

The Arc of Photography: A Private East Coast Collection is consistently buttressed by outstanding works depicting touchstones in the field of photography over150 years, especially in the genre of identity and performance. Indeed, the strength of the collection lies in its breadth, providing a cohesive, chronological narrative addressing the various permutations the field has undergone while consistently addressing the topic of self-presentation, be it that of the photographer or the sitter. Amassed since 1997, the collection reflects a keen observational eye, supported by a strong scholastic acumen, which has meticulously secured the foundations that have provided inspiration for countless photographers on both sides of the Atlantic. Upon careful inspection, the dialogue between classic and contemporary photographers in the presentation of identity and its performative underpinnings becomes more evident.

Circa-1900 Tiffany & Co. sterling silver flatware service for 12, Florentine pattern, with additional serving pieces and triple-tier chest, est. $20,000-$25,000. Quinn’s Auction Galleries image.

FALLS CHURCH, Va. – When it comes to elegant residential decor and grand ambassadorial-style hospitality, few American cities can match Washington, D.C. A hub for international diplomats for centuries, it has long been known as a sweet spot for tasteful antiques and artworks, such as those to be auctioned Sept. 10, 2011 at Quinn’s & Waverly in suburban Falls Church, Virginia. A special Sept. 8 offering of antique books, maps and autographs; and a Sept. 7 session devoted to antique pewter will precede the main sale.

The company’s Sept. 10 Fine & Decorative Art sale includes a wealth of treasures from D.C.-area homes, including a superb Tiffany & Co. antique sterling silver flatware service for 12 and a striking hand-painted and glazed Picasso ceramic pitcher.

Representing the highest quality in American decorative arts, the Tiffany name has never fallen out of favor with bidders at Quinn’s auction events. From the retail side of the Tiffany operation, Quinn’s will present as the centerpiece of its upcoming sale a magnificent circa-1900 sterling silver flatware service in the Florentine pattern. The set is accompanied by no fewer than a dozen serving pieces, including a soup ladle, asparagus tongs, pie knife and salad fork and spoon. The total measurable

Circa-1905 Tiffany Studios ‘Daffodil’ table lamp with bronze urn-form base, multiple stamps and signatures on shade and base, est. $15,000-$20,000. Quinn’s Auction Galleries image.

weight for the service – which is stored in a custom-made, triple-tier satin-lined chest – is 272.436 ozt. The hefty sterling service carries a presale estimate of $20,000-$25,000.

A classic circa-1905 Tiffany Studios table lamp entered in the Sept. 10 sale actually came from a private collection in

Chicago and features an exquisite Daffodil shade on a perfectly balanced, urn-form, oil-font base. It has multiple Tiffany markings and stamps on both the shade and base – always a desired bonus – and is expected to make $15,000-$20,000.

A handsome mid-19th-century Continental rosewood-veneer secretary features two doors with glass panels in Gothic trefoil frames, and side-by-side drawers over a pull-out writing surface that reveals further drawers and inlaid pigeon holes. The bottom portion consists of three stacked drawers centered by two cabinets. Estimate: $2,000-$3,000.

Ever-popular Picasso pottery is represented by a circa-1952 painted and glazed “Cavalier

Pablo Picasso (Spanish, 1881-1973) glazed earthenware pitcher, ‘Cavalier and Horse,’ circa 1952, est. $4,000-$6,000. Quinn’s Auction Galleries image.

and Horse” glazed earthenware pitcher. Finished in deep cobalt blue, tobacco brown and black on a white ground, it is inscribed “Edition Picasso” and “Madoura,” with appropriate stamps and the edition number “126/300.” The vessel is estimated at $4,000-$6,000.

Fine art entries include a signed, circa-1963 Richard Alan Schmid (American, B. 1934-) oil on canvas titled Azaleas. An accomplished work measuring 20 by 12 inches (sight) and presented in a frame inscribed “Framed by Schmid,” it is described by Quinn’s associate Matthew Quinn as “a painting with great presence – it captures the eye and stands out as being something special.” The artwork could bring $4,000-$6,000.

The oil-on-canvas landscape Pine Tree, Norfolk, Connecticut was painted by Guy Pene du Bois (American/French, 1884-1958) and features a central pine tree with long branches, against a hazy green and blue background. Artist-signed and inscribed, the artwork measures 16¼ by 12 inches (sight) and is estimated at $1,800-$2,000.

Royal Copenhagen glazed cobalt-blue porcelain coelacanth. Designed by Jeanne Grut (b. 1927-) est. $3,000-$4,000. Quinn’s Auction Galleries image.

Measuring 42 inches wide by 21 inches high, a Royal Copenhagen glazed cobalt-blue porcelain coelacanth (also known as a “fossil fish”) features bas-relief scales, an arched back and open mouth. Designed by Jeanne Grut (b. 1927-), the piece is titled The Blue Fish and could reel in $3,000-$4,000.

An extraordinary memento of the Panama Canal’s excavation, a circa-1914 custom-made occupational shaving mug bears a photographic transfer image of a steam shovel crew on the canal’s worksite. “The consignor’s grandfather was the crew boss and had one of these mugs made for each of the 11 members of his crew,” said Matthew Quinn. “Occupational shaving mugs have developed a very strong following over the last few years. We think this extremely rare mug could make as much as $5,000 at auction.”

On Sept. 8, Quinn’s associate auction house Waverly’s, will offer 300-400 lots of rare books, maps and autographs, with

To be auctioned in Quinn’s & Waverly’s Sept. 8 Antique Books, Maps & Autographs session, an important 1802 Presidential document signed by Thomas Jefferson and Secretary of the Navy Robert V. Smith, est. $3,500-$6,000. Quinn’s Auction Galleries image.

the sale’s headliner being a highly important document signed in 1802 by President Thomas Jefferson and Secretary of the Navy Robert V. Smith. The document consists of instructions to commanders of U.S. armed vessels navigating the Barbary Coast, conveying to them the right to bear arms “…for protecting effectually the commerce and seamen thereof.” Jefferson goes on to say, “…you are hereby authorized and directed to subdue, seize, and make prize, of all vessels, goods and effects, belonging to the Bey [sic.] of Tripoli, or to his subjects, and to bring or send the same into port, to be proceeded against and distributed according to law.”

“This document, which was identified as ‘An Act for the protection of Commerce,’ was a key part of the Jefferson Administration’s increasingly strong response to the demands of northern African pirates for tribute in return for the safe passage of American merchant ships,” said Waverly’s specialist Anson Brown. At the time, captured American sailors were being held for ransom or even sold into slavery in Africa. Jefferson flatly rejected the Pasha of Tripoli’s demand in 1801 for $225,000 in tribute, with annual payments of $25,000 thereafter. Instead, Jefferson crafted an Act that empowered the U.S. Navy to arm its personnel and take proactive measures. The historically significant document is estimated at $3,500-$6,000.

The Sept. 7 session’s European pewter offerings are led by an early 17th-century charger stamped “Cardinal” and marked on the plate rim with the Arms of Bishop Adrian III or IV of Riedmatten. On verso, it is marked “Pierre II Royaume 1609” and has the hallmark “F” below a crown. Measuring 13¾ inches in diameter, it is expected to make $200-$400.

A Sept. 7 session dedicated to American and Continental pewter includes this selection of boxes estimated at $200-$300 the lot. Quinn’s Auction Galleries image.

A group of four pewter boxes includes a spice box with animal feet and finial with an interior angel-and-sword mark for Johannes Vepz. It is also marked “1715” on the lid. The quartet also includes a sectioned French pharmacy box marked inside the lid “FP Dusaussois Paris 1795,” and an old pewter snuffbox, possibly 18th century. Lot estimate: $200-$300.

An American (Meriden, Conn.) Jean Theobald pewter tea set with wood handles includes a teapot, cream pitcher sugar dish and tray. Each piece is stamped “Pewter by Wilcox P26.” Quinn’s estimates the set will realize $200-$400.

All forms of bidding, including live via the Internet, will be available for Quinn’s Sept. 10 Fine & Decorative Art auction, and for the Sept. 7 Pewter and Sept. 8 Books, Maps & Autographs sessions. For additional information, call Matthew Quinn at 703-532-5632 or e-mail matthew.quinn@quinnsauction.com. Visit Quinn’s online at www.quinnsauction.com.