All in: The Regency Auction IV Realizes Nearly $3 Million

Thursday, July 25th, 2013

Headliners: 1893-CC Morgan Dollar PCGS MS66 Jack Lee, 1916/1916 Buffalo Nickel Doubled Die Obverse PCGS Secure MS64 CAC

1885 Morgan Silver Dollar (Front)

LAS VEGAS – Legend-Morphy Rare Coin Auctions recently held The Regency Auction IV in Las Vegas, the fourth under the “Regency” banner and fifth overall for the auction house. Numbers were exceptional across the board, with several noteworthy coins bringing well into six figures. The sale was once again held at the Bellagio during the PCGS Members Only Show, and huge online pre-bidding culminated with over three hours of feverish floor, phone, and online bidding, as a packed house battled over lots. Also for this sale, well known auctioneer Ron Guth returned to the podium at the request of Legend-Morphy partner Laura Sperber, setting the pace and calling the auction, which began at 6 PM PT.

Legend-Morphy partner Dan Morphy “was more than pleased with the sale and results. Lot preview was very strong with nothing but positive feedback on the catalog.

1885 Morgan Silver Dollar (Back)

Laura did a phenomenal job putting together a fresh grouping of exceptionally clean coins. We met a lot of new bidders and buyers, and are already looking forward to putting together a banner sale for December.”

Julie Abrams, Legend-Morphy president, went on to say, “This was our finest auction to date with 380 handpicked lots, many from world class collections. We could not be happier with the prices realized and the sell-through rate. We have been encouraged by the feedback that our bidders, buyers, and consignors have given us. In a relatively short period of time, they have embraced and validated our unique auction model; small, exclusive auctions with the highest quality coins.”

Total prices realized were $2,987,820.75, with several highlights bringing huge numbers:

  • Lot 62 – 5C 1916/1916 Doubled Die Obverse PCGS Secure MS64 CAC, $253,000.00
  • Lot 68 – P5C 1913 J-1950 PCGS Secure PR65 CAC Gold Sticker, $195,500.00
  • Lot 119 – 10c 1931-S PCGS MS67 FB CAC, $34,500.00
  • Lot 185 – $1 1795 Flowing Hair 3 Leaves, B-5, BB-27 PCGS MS61 CAC, $92,000.00
  • Lot 205 – $1 1885 PCGS MS66 DMPL CAC, $5,175.00
  • Lot 208 – $1 1879-CC PCGS MS65 CAC, $34,500.00
  • Lot 212 – $1 1893-CC PCGS MS66 JACK LEE, $161,000.00
  • Lot 294 – $2 1/2 1881 PCGS Secure PR67 DCameo CAC, $63,250.00
  • Lot 310 – $10 1883-CC PCGS AU58 EX Hall/Simpson, $16,100
  • Lot 334 – 25c 1893 Isabella PCGS PR65 CAC, $51,750.00

“We were thrilled that our boutique auction was able to sell nearly $3,000,000.00 worth of coins in just over 3 hours! Both collectors and dealers love the ease at which they can participate in our sales. The other auction companies can be as gigantic as they want, but for us we’re ecstatic to be small, efficient, and performance proven. We had expected the sale to do well, but we were blown away at the results,” said Legend-Morphy partner Laura Sperber. “The sale consisted of fresh, high end, eye appealing coins and many were direct from major collections. It’s gotten nearly impossible to locate true GEM pieces. From day one, we knew this sale was going to be special.”

The 1893-CC Morgan Dollar PCGS MS66 Jack Lee smashed expectations, hammering at $161,000.00, and the 1883-CC $10 Gold Eagle PCGS AU58 EX Hall/Simpson exceeded estimates, bringing in $16,100.00. Many others went for well above expectations, and in addition to the highlights listed above, Legend-Morphy was thrilled to announce the 1831 Capped Bust Quarter PCGS MS65 CAC, which went for $26,450.00, the 1879-CC Morgan Dollar PCGS MS64 from the Rancho CC Collection which realized $18,975.00, and a 1826 Capped Bust Half Dollar PCGS MS64 which went for $7,475.00. Laura went on to say that “the prices realized (many of which were record setting) proved that Legend-Morphy has as much fire power as any other rare coin auction house.” All prices realized are posted on the Legend-Morphy website: http://www.legendmorphy.com.

The next Legend-Morphy sale, The Regency Auction V will be held Thursday, December 18 at the PCGS Members Only Show at the Venetian in Las Vegas. They are now accepting consignments.

 

** For information about consigning to Legend-Morphy’s December Regency Auction V or for more information on any lot in the sale, e-mail Julie Abrams at juliea@legendmorphy.com or call 717-335-3435. You can also follow Legend-Morphy on Twitter at http://twitter.com/LegendMorphy and on Facebook at http://www.facebook.com/LegendMorphy.

Gemologist Josh Cohn joins Morphy Auctions’ team of specialists

Thursday, July 25th, 2013

DENVER, Pa. – Morphy Auctions has announced the appointment of gemologist and art glass expert Josh Cohn to itsteam of specialists.

Gemologist and art glass expert Josh Cohn, GG, newly appointed to Morphy Auctions’ team of specialists.

A graduate gemologist (GG) who spent 20 years at the Gemological Institute of America (GIA) – the world leader in the grading and quality analysis of gemstones and diamonds – Cohn is a recognized expert in his field. He will bring his vast knowledge and experience to all Morphy sales that include estate jewelry, diamonds and other precious gems.

Cohn, who lives in a New York City suburb, spent most of his years at GIA in a laboratory environment, identifying and verifying diamonds of all types. He also studied while at GIA and earned his GG accreditation there.

“Although he is very well known in the world of diamonds and gemstones, Josh is also a respected dealer of art glass, silver, jewelry and paintings. His shop in Great Barrington, Massachusetts, The Emporium, is a popular stop for antique hunters in the Berkshires,” said Morphy Auctions CEO Dan Morphy. “We’re very pleased that Josh has agreed to become part of our organization.”

Cohn is currently in the process of gathering precious gem and estate-jewelry consignments to evaluate and catalog for Morphy’s Nov. 2 Fine & Decorative Art Auction. So far, highlights include a 5-carat white diamond, a 5-carat colored diamond in a platinum mounting set with smaller colored diamonds, and several highly desirable collector-quality color-changing diamonds known in the trade as “chameleons.” Cohn also expects to receive auction consignments of mounted and loose colored diamonds, and other fine gemstones, including sapphires, expressly for the Nov. 2 event.

 

To contact Josh Cohn about consigning to Morphy’s, call 914-907-9385 or email toobiltd@comcast.net. Visit Morphy Auctions online at www.morphyauctions.com.

 

Legend Numismatics purchases famous 1894-S Daggett Specimen Dime

Wednesday, July 24th, 2013

LINCROFT, NJ – Legend Numismatics has purchased the famous 10C 1894-S PCGS BM PR64+ Daggett Specimen from David Lawrence Rare Coins for a sum in excess of $2 million, a record price for any dime.

While helping fulfill a collecting goal of Legend partner Bruce Morelan, the firm also believes classic rarities like this are still undervalued in today’s marketplace. “We have no problem stocking a classic rarity like this. A classic Mercedes racecar sold last week for nearly $29,000,000.00. Paintings regularly sell for $10-$30,000,000.00. So a classic major numismatic rarity like this is cheap. In all the years Legend has bought and sold great rarities like the 94-S 10C, none have ever gone down in value. This coin was a no brainer for us to buy,” said Laura Sperber, President of Legend Numismatics.

John Feigenbaum, President of David Lawrence Rare Coins, personally handled the transaction with Legend. According to Feigenbaum, “It was an easy negotiation and a pleasure because both parties believe in the rarity and extreme desirability of this historic coin. Laura and I have always treasured the 1894-S dime and it was logical to me that her firm would be a likely candidate to acquire this piece. I wish them great success with the coin.”

There are many theories as to why 24 proof Dimes were minted in 1894 at San Francisco. Only 10 are confirmed to exist today and this coin is likely the third finest known. The most widely accepted theory is that the Mint Superintendent, John Daggett, had high ranking visitors he wanted to impress with special coins. No one knows for sure why he picked the Dime, except that he needed to balance a $2.40 deficit in the Mint ledger, so striking 24 dimes achieved dual purposes. After minting and distribution to his friends and guests, he gave 3 or 4 coins to his daughter, Hallie Daggett.

This story is one of the greatest in numismatic lore, and continues when Daggett’s daughter Hallie eventually sold a couple gem examples, including this very coin, to Earl Parker, a coin dealer in California, around 1950. At the time, she told Parker that she originally spent one of her prized dimes to buy an ice cream cone. That coin is known today in Good-4 as the “Ice Cream Specimen” but has not traded hands publicly since 1981. 1894-S Dimes have long been considered one of the top major classic numismatic rarities, along with the 5C 1913 Liberty Nickel, and the 1804 $1. In fact, the coin is currently ranked #4 in the “100 Greatest U.S. Coins” (Third Edition, Garrett, 2008) — behind the 1913 nickel, but ahead of the 1804 dollar, in importance.

Manatee Galleries’ July 27 auction features distinguished ambassador’s fine and decorative art collection, including exquisite Chinese works

Friday, July 12th, 2013

400-lot collection includes Asian treasures retained by same family for 100+ years

PALMETTO, Fla. – Only rarely does a collection come to the auction marketplace that can match for quality and provenance the one Manatee Galleries is offering on July 27th. The Ambassador Ragnar Petri and Mrs. Ingrid Burdin Petri collection of European and Asian fine and decorative art is a testament to the connoisseurship of two world travelers driven by a passion for beauty and cultural history.

Chinese Guangxu blue and white dish, 7¼in dia., with underglaze blue six-character mark and of the period (1875-1908), featuring curled dragon and flaming pearl amongst thunderbolts. Est. $2,000-$3,000. Manatee Galleries image.

“Ambassador and Mrs. Petri are both originally from Sweden and now retired in Florida. Ragnar Petri served as Swedish ambassador and consulate to many nations, including Japan, Ecuador, Germany, Spain and Colombia,” explained Adrienne Falconer, president of Manatee Galleries. “Ingrid Petri was born into a family of collectors. Her father was Gylfe Burdin, a prosperous Stockholm businessman and art aficionado who acquired only the finest antique Asian porcelain, which Ingrid eventually inherited.”

Over a period of 65 years, the Petris have formed an exceptional collection that blends the Gylfe Burdin collection with antiques judiciously purchased during their years of diplomatic travels. The collection has remained solely in the Petris’ hands, and they have never before offered it for sale. Everything in the July 27 auction is fresh to the market, and most of the Chinese pieces – which have provenance from the Burdin collection – have been kept within the same family by direct descent for over a century.

Manatee Galleries has opted to place conservative estimates on all pieces. The Petris’ favorite Chinese work is a rare Chongzheng (1628-1643) transitional “Wucai boys” covered jar. The 11½-inch vessel is richly painted with a depiction of genteel ladies seated in a garden, watching boisterous young boys at play. A similar jar sold for HK$275,000 at Christie’s May 2012 sale in Hong Kong. It is entered in Manatee’s sale with a $3,000-$5,000 estimate.

An important famille verte covered jar, 18th/19th century, has a Chinese signature on the side of the jar and an underglaze blue double-circle mark, possibly of the Kangxi Period 1662-1722). Its motif depicts a robed dignitary holding a bolt of silk, followed by a servant with a large hand fan. Standing 8 inches tall, it is expected to make $1,000-$5,000.

Chinese Chongzheng (1628-1643) transitional “Wucai boys” covered jar, 11½in, similar to an example that sold for HK$275,000 at Christie’s May 2012 sale in Hong Kong. Est. $3,000-$5,000. Manatee Galleries image.

Another famille verte highlight is the brightly enameled 17th-century Kangxi Period Chinese plate, 9¼ inches (dia.), with an image of two elegant ladies in a verdant pavilion garden. The wonderfully decorative border features four cartouches with colorful winged insects. A similar example sold for $17,276 at Christie’s South Kensington’s Sept. 19, 2012 Interiors sale. The plate from the Petri collection carries a $2,000-$5,000 estimate.

Manatee Galleries’ catalog describes a rare and important 17th-century Chinese verte covered box as having “the finest-quality painting [we] have seen on a piece that is well over 300 years old.” Its lid is vibrantly filled with the image of two boys – possibly twins – bound together at the waist but running in opposite directions. The 4.1-inch diameter box retains a 1950s label from the Amsterdam gallery “Kunstzalen A. Vecht” and is estimated at $3,000-$5,000.

An eye-filling early 17th-century Ming Zhangzhou (Swatow) polychrome basin has steep flaring sides and is generously decorated in iron-red, green, turquoise and black enamels. Its central image is of a bird in full flight amongst peony blooms, and the medallions at each quarter turn bear Chinese marks. On verso, there are old collectors’ labels and a six-character Chinese mark. With no chips, cracks or repairs, the 15½in-diameter basin is entered in the sale with a $1,000-$5,000 estimate.

Yet another premier lot is a Chinese Guangxu blue and white dish with underglaze blue six-character mark, and of the period 1875-1908, featuring a central motif of a curled dragon and flaming pearl amongst thunderbolts. The 7¼-inch dish is estimated at $2,000-$3,000.

A showcase for Chinese artistry at its most appealing, an antique huanghuali wood screen is embellished with jade and hardstone on its panels, each with a lively scene of activities within an imperial or noble court. The multicolored screen measures 72 inches by 72 inches and is estimated at $4,000-$5,000.

Of the Asian scrolls to be auctioned, the most significant is a signed Kanou Motonobu (Japanese, 1476-1559) metallic scroll painting that measures 49 inches long by 19½ inches wide. Centered with an ethereal depiction of three horses standing in water – one of them leaning down to drink – the painting is of particular importance because it was created by the eldest son of Kano Motonobu, founder of the famous Japanese school of painting.

“The Kano family is one of the most important lineages in Japanese history,” said Adrienne Falconer. “They dominated the painting world from the end of the Muromachi Period (1333-1568) to the end of the Edo Period (1600-1868).”

The Motonobu Kanou scroll painting exhibits a technique known as wa-kan, a hybrid of Japanese and Chinese painting that requires careful brushwork techniques. The scroll is estimated at $3,000-$5,000.

The Petri collection also includes an outstanding selection of English Staffordshire, silhouettes and miniature paintings; and even some mid-century modern design. The star of the European antiques section, however, is a 19th-century “blue john,” white marble and slate urn on pedestal that has been electrified to function as a lamp. Blue john, which was discovered by the Ancient Romans nearly 2,000 years ago, is a rare natural variety of calcium fluorite known as “radix amethysti” for its distinctively colored deep purple veins. The only known deposit of this unusual mineral – also known as Derbyshire spar – was found in the hills of Derbyshire’s Hope Valley in England. Highly prized blue john was a favorite mineral of Birmingham silversmith and ormolu manufacturer Matthew Boulton, who used it in the production of candelabra, urns, candlesticks and other decorative and functional pieces.

The blue john mines and seams are now largely exhausted, making the urn/lamp in the Petri collection all the more valuable. Its auction estimate is $3,000-$5,000.

Manatee Galleries’ auction of the Ambassador Ragnar Petri and Mrs. Ingrid Burdin Petri collection will take place on July 27, 2013, starting at 4 p.m. Eastern time. Preview July 24-26 from 11 a.m. to 5 p.m., on July 27 (auction day) from 11 a.m. to 4 p.m., or by appointment. The gallery is located at 1007 10th Avenue West in Palmetto, Florida 34221. All forms of bidding will be available, including absentee, phone and live via the Internet through LiveAuctioneers.com, Artfact.com and the-saleroom.com. The online catalog may be viewed online at any of these three websites.

For additional information on any item in the auction, to leave an absentee bid or to book a phone line, call 941-722-4800 or email info@manateegalleries.com. Visit Manatee Galleries online at www.manateegalleries.com.

Bidders spend $610,000 at Morphy’s well-attended June 1 Antique Advertising Auction

Monday, June 17th, 2013

Puss in Boots Fortune-Teller fulfills its prophecy of success, sells for $21,000

DENVER, Pa. – A storybook cat with a talent for prognostication leaped to the top of prices realized at Morphy’s June 1st auction of antique advertising and coin-op machines. Made by Roover Brothers sometime between 1897 and 1904, Puss in Boots the Fortune-Teller was encased in a glass, wood and metal penny arcade machine and offered complete with 100 fortune cards. The psychic feline garnered a winning bid of $21,000 and led the day’s lineup of 537 lots, which grossed $610,000. All prices quoted are inclusive of 20% buyer’s premium.

Pace’s “Kitty” slot machine in vibrant primary colors on metal, $7,200. Morphy Auctions image.

Although one of Morphy’s smaller events, the specialty auction drew “a packed house,” said company CEO Dan Morphy. “Advertising signs attracted the lion’s share of bidding,” he added.

There was strong interest in a scarce circa-1910 to 1920 Phoenix Pure Paint curved porcelain corner sign with the image of a Native-American boy holding a hand mirror and applying paint to his face. The colorful sign exceeded its presale estimate and closed at $15,600.

An 8-piece Coca-Cola prototype window display depicting Rip Van Winkle and the Jolly Elves “pausing for refreshment” was bid to $7,800 against an estimate of $3,000-$4,000. In the breweriana section, a 1900-1910 framed poster advertising Lorelei Beer of Helena, Montana, with an image of the fetching mermaid-like maiden of nautical lore, achieved an above-estimate $3,900.

Other signs that finished well in the money included an appealing Eveready Flashlights/Batteries/Mazda Lamps figural flange sign, which doubled its high estimate in realizing $6,000; and a self-framed tin sign advertising Frazer Axle Grease, with a wonderfully detailed image of two horse-drawn wagon drivers discussing a wheel mishap, $4,800. Another standout was a Boston Locomotive Works 4-color chromolithographed builder’s print, dated 1858, with the image of a steam-powered passenger engine. It sold for $4,200.

More than 150 gambling, vending and other coin-operated machines were offered. A Pace’s “Kitty” slot machine in vibrant primary colors on metal reached $7,200; while a beautiful Wurlitzer Model 71 countertop jukebox made the midpoint of its estimate range at $5,400. Manufactured around 1940-1941, the Model 71 in Morphy’s sale played selections correctly and, according to Dan Morphy, “had a great sound.”

Morphy’s next auction featuring antique advertising will be held on August 6th. A General Antiques auction is slated for August 20th, and a major Toys & Sports Memorabilia sale will follow on September 7th. For additional information, contact Morphy Auctions by calling 717-335-3435 or e-mailing serena@morphyauctions.com. Visit Morphy’s online at www.morphyauctions.com.

Musical equipment from estate of Dave Matthews Band founding member in Quinn & Farmer June 15 auction

Friday, June 14th, 2013

Art highlight: Tom Wesselmann’s steel drawing ‘Monica Sitting Undressing’

CHARLOTTESVILLE, Va. – On Saturday, June 15, 2013 Quinn & Farmer Auctioneers will host their monthly gallery auction, with Internet live bidding through LiveAuctioneers.com. A featured highlight of the 380-lot auction is a selection of items from the estate of saxophonist LeRoi Moore, who was a founding member of the Dave Matthews Band. The sale also includes items from the luxurious Boar’s Head Inn in Charlottesville, Va.; a collection of US Presidential memorabilia, Inuit sculpture and an exceptional Tom Wesselmann steel drawing titled “Monica Sitting Undressed.”

The LeRoi Moore articles include speakers, subwoofers, instruments, and other musical production equipment of the highest quality, as well as custom furniture by Jaeger & Ernst. A stellar lot is a pair of model 802 Diamond Bowers and Wilkins speakers that feature free-mounted diamond dome tweeters, Nautilus™ tube tweeter loadings, Quad magnet tweeter motors, Kevlar® brand fibre-cone FST™ mid-ranges, Sphere/tube midrange enclosures, Rohacell® cone basses, Dual magnet bass driver motors, and Matrix™ cabinets. The speakers have been estimated at $5,000-$15,000 the pair.

An array of fine prints, engravings, and paintings of portraiture and hunting scenes comes to auction from the Boar’s Head Inn. These highly sought-after pieces were displayed at the famous resort, which is owned by the local University of Virginia and has hosted many dignitaries and celebrities alike. Featured items include a hand-colored engraving by H. Alkin, Clark & Debourg; numerous hunt scenes, architectural accents and a large oil-on-canvas portrait of James Butler, 2nd Duke of Ormonde. The portrait stands nearly 4ft tall and over 3ft wide, and its regal subject is dressed in fine 18th-century period attire.

Quinn & Farmer Auctions image.

Pop art will be well represented by Lot 271, Tom Wesselmann’s steel drawing titled “Monica Sitting Undressing.” The piece is number 5 of 25 steel cuttings created in 1986. The alkyd oil on cut-out steel drawing depicts the simple nude image of his wife Monica, one of his most prominent muses. Wesselmann’s signature “Tom Wesselmann 1986/98 Steel Drawing Edition/ Monica Sitting Undressing 5/25” appears on verso. Also included are photocopied directions that Tom Wesselmann hand-wrote regarding the piece’s preferred installation.

Quinn & Farmer’s June 15th gallery auction will begin at 10:00 a.m. Eastern. To contact the auction house for additional information, call 434-293-2904 or email info@quinnfarmer.com.

View the fully illustrated catalog and sign up to bid absentee or live via the Internet at www.LiveAuctioneers.com.

Waverly Rare Books to auction Author’s Edition of Muybridge’s 1887 Animal Locomotion on June 20

Friday, June 7th, 2013

363-lot book auction also includes early maps of Mid-Atlantic states, Texas, Calif., Oregon

FALLS CHURCH, Va. – On June 20th, Waverly Rare Books will auction an extraordinary photographic rarity – an Author’s Edition folio version of Eadweard Muybridge’s (British, 1830-1904) Animal Locomotion: An Electro-Photographic Investigation of Consecutive Phases of Animal Movements.

The Complete Writings of Nathaniel Hawthorne, 23 vols., 1900-1901 with 1902 biography by George E. Woodbury. Est. $1,500-$2,500. Waverly Rare Books image.

Initially published in 1887 as an 11-volume set, Animal Locomotion contained a total of 781 plates. Thirty-seven sets were produced and subsequently purchased by major art institutions, museums and libraries in New York, Boston and Philadelphia.

The Public Edition of Animal Locomotion contained 100 plates and was issued by subscription for $100. “The subscriber would examine one of the complete sets in a public institution, then chose his or her favorites,” explained Waverly Rare Books’ director, Monika Schiavo.

The Author’s Edition, which is the centerpiece of Waverly’s June 20 catalog auction, originally consisted of 21 plates selected by the author or editor from Muybridge’s complete series of animal locomotion plates. Of those 21 plates, one plate (Plate 465) is missing, leaving 20 plates.

“Generally, a single lost plate can reduce a book’s value considerably, but in cases where the book is highly valuable, as is the case with this one, the loss in value is nowhere near as great, as buyers would have few – if any – alternatives,” said Schiavo.

Citing auction comparables of the past, Schiavo noted that an Author’s Edition with 21 plates, personally inscribed by Muybridge, sold at Swann Galleries in March 2010 for $48,000. A copy of a Public Edition with 54 collotype plates sold for $14,900 at Sotheby’s in November 2008. Its condition was a question mark but “likely to be very poor, given the catalog description that said ‘Fragment only – Disbound,’” Schiavo said.

In 2007 an album with 100 plates in faux morocco wraps with some dampstaining, minor handling wear, chipping to edges, and library markings sold for $45,000 – triple its high estimate – at Skinner, while a collection of 50 plates sold at Bloomsbury’s in 2012 for 38,000 pounds (approx. $58,200). Other auction records indicate that some individual plates have sold for as much as $5,000.

Described by the Washington Post’s Frank Van Riper as “The Odd Genius Who Froze Motion,” Eadweard Muybridge was one of the most influential and eccentric photographers of all time. His instantly recognizable work merged the art and science of photography in a series of stop-action film sequences that paved the way for the modern motion picture industry. Muybridge’s prescient images have been collected and exhibited by the Tate Gallery, The Corcoran Gallery of Art and the Smithsonian’s National Museum of American History.

Waverly Rare Books, a division of Quinn’s Auction Galleries, will offer the Eadweard Muybridge Author’s Edition of Animal Locomotion: An Electro-Photographic Investigation of Consecutive Phases of Animal Movements on June 20, with no reserve and a $12,000-$15,000 estimate. The 363-lot auction also includes a Patrick Henry land grant (Lot 339, est. $600-$900), four original, signed James Thurber drawings that appeared in the March 25, 1939 issue of The New Yorker (Lot 338, est. $4,000-$6,000), and a 23-volume set of The Complete Writings of Nathaniel Hawthorne (Lot 12, est. $1,500-$2,500).

Close-up of signature from Nov. 19, 1785 land grant signed by Patrick Henry as governor of Virginia. Est. $600-$900. Waverly Rare Books image.

A selection of important early maps is highlighted by Lot 317, a 1639-1675 engraved map with outstanding early images of Virginia, the Carolinas and Georgia; estimate: $600-$900. Another fascinating entry is Lot 311, a colorful 1846 folding pocket map of Texas, Oregon and California. Its accompanying text booklet is unflattering in its observations of Texas settlers of that time, describing “the female portion of the community [as] ignorant, degraded and the slaves of their husbands.” It also notes that the women are “very fond of dress and will make any sacrifice to gratify it.” As for the men, the writer says they “have no trades and depend for every thing upon the converted Indians, some of whom are quite ingenious, both as carpenters and blacksmiths. The whites…look upon all manual labor as degrading…” The map is in superb condition and is expected to make $4,000-$7,000.

Waverly Rare Books’ June 20 auction will begin at 5 p.m. Eastern time. The preview begins on June 15 and continues through and including auction day (see website for hours). The gallery is closed on Sundays.

All forms of bidding will be available, including absentee or live via the Internet through www.LiveAuctioneers.com. For information on any lot in the sale, call 703-532-5632 or e-mail monika.schiavo@quinnsauction.com. Visit Waverly Rare Books online at www.quinnsauction.com.

View the fully illustrated catalog and sign up to bid absentee or live via the Internet at www.LiveAuctioneers.com.

Art from ancient civilizations join natural history treasures in Antiquities Saleroom’s June 13-14 auction

Thursday, June 6th, 2013

Highlight: Extraordinarily rare King Tut royal seal mold from early Cairo collection

BOULDER COUNTY, Colo. – Two premier collections of art and artifacts from ancient civilizations combine to form the core of Antiquities Saleroom’s June 13-14 auction, which also includes an outstanding selection of natural history and mineral specimens. Many of the 400 lots entered in the absentee, phone and Internet auction come from the meticulously documented, investment-grade collections of two Hollywood insiders – an Emmy Award-winning executive producer/writer, and a producer/director who specializes in movie trailers. Part I of both these collections anchored Antiquities Saleroom’s extremely successful Feb. 1 auction.

Roman Marble head of Eros, Antonine Period, est. $15,000-$20,000. Antiquities Saleroom image.

“This is our largest auction ever and contains some of the finest classical antiquities we’ve ever had the pleasure of offering,” said Antiquities Saleroom co-owner and acquisitions director Bob Dodge. “Every category contains pieces that collectors dream of owning but never see at auction or anywhere else.”

The session will open with gems and minerals, led by a beautiful pallasite meteorite, 4.5 billion years old, which quite literally is the remnant of an early planet in our solar system. The iron-based meteorite is infused with amber-hued olivine gem crystals and was discovered in Russia in 1967. The consignor is a well-known dealer who has conducted business with Antiquities Saleroom for many years. The specimen is estimated at $1,000-$2,000 – a very affordable price range, Dodge noted. “In all of our sales we make an effort to include nice pieces for every level of collector. In our June auction there are things that will sell for well under a thousand dollars, and for the advanced collector, there are highly important pieces valued in the tens of thousands of dollars.”

The sale will then move into human cultures, with the highlight being a fantastic Egyptian rarity – a pottery seal mold from “The Boy King,” Tutankhamun (1332-1323 BC). The pottery mold from Tut’s royal workshop is deeply impressed with four elements: ra (sun), kheper (beetle), men (upward rake) and neb (bowl).

These four symbols and their specific arrangement uniquely represent Tutankhamum, Bob Dodge explained. “Pottery molds were used to create scarabs, seals or anything with the pharaoh’s cartouche or name on it. This particular mold probably would have been used to create faience amulets that were passed out as souvenirs to commemorate the reign of a pharaoh, in this case King Tut. In the 25 years I’ve been in this business, this is the first time I’ve seen a genuine King Tut artifact come to auction. It’s from the most important period in terms of Egyptian art, and it’s insanely rare,” Dodge said.

The mold comes directly from the family of the late Philip Mitry, who was an antiquities dealer in Cairo during the 1950s. At that time, the sale of Egyptian antiquities was legal and, in fact, state sponsored. When Mitry moved to the United States in the 1950s, he brought his massive collection with him. The King Tut mold, which became part of Mitry’s collection in 1953, will be auctioned with documentation from Mitry’s family and a lifetime certificate of authenticity from Antiquities Saleroom. The estimate on the piece is $10,000-$20,000, but as Dodge explained, “We think of this as being priceless. It could go far in excess of expectations.”

Another Egyptian rarity is a large scarab impressed with the very clear cartouche of Thutmose III – who, like Tut, was an 18th Dynasty pharaoh. It retains a narrow band of gold on its exterior, and at the bottom is a scene of a monkey in adoration of a horse, symbolizing Thutmose’s much-admired military prowess. A book example, it is expected to make $3,000-$5,000.

Important Mayan polychrome cylinder, est. $5,000-$10,000. Antiquities Saleroom image.

The Greek section contains two impressive battle helmets, each exhibiting a different style. One is a Corinthian helmet with a distinctive long nose bridge, 6th to 5th century BC. “It would have been worn by a Hoplite soldier. They would walk in unison in a group of 20 to 100 men, each carrying a 16-foot-long spear. Then they would hunker down and, at the right moment, attack. In their day they were invincible,” Dodge said. The helmet’s estimate is $30,000-$50,000.

The second helmet is Illyrian and made during the same time period as the Corinthian helmet, but of bronze. It features a squared-off style with interior leather padding. Its estimate is $20,000-$30,000. Another helmet of note is French, of hand-hammered steel with handmade rivets and a retractable visor. Although a much later production that the other two helmets, dating to the 14th-15th century, it is a rarity, as few French or British helmets of that period have survived. Estimate: $10,000-$20,000.

Approximately nine rare and desirable pieces of Greek pottery will be auctioned, including three Athenian (Attic) vessels. One is a slender jar known as a lekythos, which was designed to hold precious oils. Considering how Attic art can run into the millions of dollars, it presents a rare buying opportunity with a presale estimate of $9,000-$14,000. A particularly fine kylix wine cup, 4th-6th century BC, features black images on red, against a black ground. Estimate: $20,000-$30,000. The third example is an oinochoe, from which wine was poured at the dinner table. Its estimate is $11,000-$16,000.

The Roman category contains one of the most exciting museum-quality artifacts ever to cross the auction block at Antiquities Saleroom. From the 1st century BC, Lot 89 consists of a pair of large, highly detailed bronze fittings that would have adorned either side of a chariot’s hub. The decorative fittings depict the mighty Pericles (Hercules). “The Greeks were superb with pottery,” Dodge said, “but the Romans may have outdone them with bronze work. This pair of fittings is truly gorgeous. It came from a New York City dealer who obtained them from a private collection on the East Coast.” The estimate for the pair is $40,000-$60,000.

The auction also includes three Roman marbles. A 2nd century marble head of Eros is estimated at $14,000-$20,000, while a smaller marble head of Jupiter from the same century is expected to make $5,000-$7,500. A double-faced marble head of the god Janus could easily surpass its estimate of $3,600-$5,400.

The next portion of the sale is devoted to selections from the “Hollywood” Pre-Columbian art collections mentioned above, with additional choice consignments. Virtually every Pre-Columbian culture is represented, in silver, copper, gold, stone, pottery, textiles and wood. There are 3000 BC artworks of the Valdivian (Ecuador) culture and Peruvian artwork and pottery dating from 1200-1500 BC. A wonderful collection of Pre-Columbian gold includes earrings, a crown, and an exceptional 3-dimensional bird inside a gold ring, with dangling objects beneath it. Dodge believes it may have been an earring or perhaps a temple ornament. The beautifully detailed bird appears in the book Oro del Antiguo Peru and is estimated at $15,000-$30,000.

Of the Mayan pieces in the sale, Dodge is most enamored of a set of four circa 500 BC carved stone monkeys from Mezcala, Mexico. “They’re incredibly well detailed, with very thin tails and openwork. Even modern carvers with sophisticated tools would have difficulty creating pieces like this. To think that carvers with such rudimentary tools did this work is remarkable,” Dodge said. The lot is estimated at $15,000-$25,000.

A prominent politician’s collection of West Mexico pottery is also featured in the sale. The collection includes Colima figural dogs and a rare, 14-inch-long standing duck vessel with a spout in its mouth for pouring fermented beverages. “I’ve seen small ducks and double or triple ducks, but this large duck standing on legs is very unusual. I could see it blowing through its $5,000-$7,000 estimate,” Dodge said. Another important pottery work, a seated shaman is entered with hopes of reaching $6,000-$9,000.

Antiquities Saleroom’s June 13-14 auction will commence at 12 noon Eastern Time on both days. Bids may be placed absentee (including absentee online), by phone or live via the Internet on auction day through LiveAuctioneers.com. The entire auction catalog may be viewed online at www.LiveAuctioneers.com. Tel. 720-890-7700 or 720-502-5289. Email antiquitiessaleroom@gmail.com. Web: www.antiquities-saleroom.com.

Morphy’s June 1 auction a high-quality mix of antique advertising, coin-op machines and occupational shaving mugs from private collections

Friday, May 31st, 2013

Rover 1-cent Puss ‘N’ Boots fortune teller could reach $25,000-$30,000

DENVER, Pa. – Morphy’s is like a second home to antique advertising collectors, who regard the central Pennsylvania company’s auctions as a premier source of fresh-to-market pieces from long-held collections. On June 1st, Morphy’s will conduct a 537-lot specialty sale comprised exclusively of antique advertising, coin-op and penny arcade machines; and rare occupational shaving mugs. In keeping with their new, across-the-board policy, the auction will begin at 9 a.m. Eastern Time.

Buffalo Pepsin Gum 1-cent vending machine with brass marquee. Est. $5,000-$8,000. Morphy Auctions image.

 

The session will open with an exceptional single-owner collection of 150+ shaving mugs that includes several exciting rarities. Lot 29 depicts two men bowling and has an estimate of $1,500-$2,500; while Lot 122 features the image of an early airplane whose pilot wears duster-type goggles, est. $2,500-$3,000. An elusive stock market-related mug entered as Lot 89 is emblazoned with the image of a commodities broker writing numbers on a chalkboard. Although estimated at $2,500-$4,000, it “could go considerably higher,” according to Morphy Auctions CEO Dan Morphy. “Veteran collectors who’ve looked at it say it’s one of the best they’ve ever seen,” Morphy noted.

 

More than 150 gambling, vending and penny arcade machines lead the lineup of coin-operated amusements. Lot 189, a Buffalo Pepsin Gum vendor is expected to make $5,000-$8,000; while Lot 223, a Caille Centaur upright slot machine in beautiful condition could reach $25,000-$30,000. Lot 240, an original Mills 5-cent Frank Polk figural cowboy slot machine, is entered with a $20,000-$25,000 estimate. Polk produced only 70 original “cowboys,” the one in Morphy’s June 1 auction being one of them.

 

Other high-end machines include Lot 260, a Bally Reliance 5-cent dice machine, est. $8,000-$12,000; and Lot 295, a Rover 1-cent Puss ‘N’ Boots fortune teller machine, complete with 100 fortune cards, est. $25,000-$30,000. A highly desirable musical novelty of yesteryear, Lot 326 is a Wurlitzer Model 850 “Peacock” jukebox. Extremely rare and widely regarded as one of Wurlitzer’s most exquisite and colorful productions, it is estimated at $15,000-$18,000.

 

Next up will be 150+ lots of antique advertising. Lot 484, a circa-1910 to 1920 Phoenix Pure Paint curved porcelain corner sign, features the image of a Native-American boy. It is extremely scarce, as reflected in its presale estimate of $10,000-$15,000. Lot 500, a self-framed tin sign advertising Frazer Axle Grease, features a remarkable image of two horse-drawn wagons whose drivers are engaged in a discussion about a wheel problem. Estimate $4,000-$6,000.

 

The ever-popular Mr. Peanut will make an appearance in Lot 512, in the form of a life-size (75-inch-tall) papier-mache statue. The circa-1920s three-dimensional figure came from a Canadian collection and could bring $8,000-$12,000 on auction day.

 

Mills 5-cent Dewey musical upright slot machine, working order with excellent repertoire of tunes. Est. $15,000-$18,000. Morphy Auctions image.

More than 100 tip trays, most in near-mint-plus condition, have come to Morphy’s from a single-owner collection. Standouts include Lot 346, a tip tray for J. Hupfel Brewing Co., est. $400-$800; and Lot 350, an example that advertises Rienzi Beer in bottles, est. $300-$600.

 

A fine selection of railroad-themed photos includes Lot 518, a litho print dated 1858 that depicts Boston Railroad Locomotive Works builders. The 29 x 42in print is estimated at $5,000-$8,000. Another highlight is Lot 522, a ruby ambrotype photo of a locomotive, est. $800-$1,200.

 

“Our advertising sales are always enjoyable,” said Dan Morphy. “Collectors appreciate the fact that we’re very particular about the condition and quality of pieces accepted for consignment, and those who cannot bid in person never have to worry about our descriptions and condition reports. They know they can trust them one hundred percent.”

 

Morphy’s Saturday, June 1 auction of antique advertising, coin-op machines and occupational shaving mugs will commence at 9 a.m. Eastern Time. All forms of bidding will be available, including live via the Internet through Morphy Live or Artfact.com.

 

Morphy Auctions is located at 2000 N. Reading Rd., Denver, PA 17517. For additional information, call 717-335-3435 or e-mail serena@morphyauctions.com. View the fully illustrated catalog online at www.morphyauctions.com or www.artfact.com.

Stephenson’s May 31 Spring Antiques & Decorative Arts Auction features 800 lots of jewelry, silver, furniture and clocks

Wednesday, May 22nd, 2013

Selection includes quality pieces from Philadelphia-area estates, private collections

SOUTHAMPTON, Pa. – Laden with heavy silver, fine timepieces and a regal array of jewelry, Stephenson’s May 31st auction blends a 35-year single-owner collection with additional estate and individual consignments of exceptional quality. The 800-lot Spring Antiques & Decorative Arts Auction also incorporates primitives, art, furniture and clocks. With that much to sell in one day, Stephenson’s usual auction start time has been adjusted to an earlier 10 a.m. All forms of bidding will be available, including live via the Internet through LiveAuctioneers.com.

Tiffany & Co. brass-cased clock. Stephenson’s image.

The Friday sale opens with a fine selection of smalls. Several collections are featured, with the contents including many fine porcelain Boehm figurines and birds; Royal Worcester productions and desirable, larger-size Lladros and Swarovskis.

The centerpiece of the day is the single-owner jewelry collection, which incorporates designs from the turn of the 20th century through modern day. Many of the pieces in the collection are Native American and exhibit a level of skillful hand detailing that only highly accomplished artisans could execute.

A large and heavy circa-1920 sterling silver squash blossom necklace is unusual in its styling, said Stephenson’s fine jewelry expert, Theresa Zaengle, because it does not contain turquoise, coral or other stones, as would be typical of most squash blossom necklaces. “It is all handmade and quintessentially Native American in its appearance, but it is a simpler design with all handmade fluted silver beads, squash blossoms and a central Naja pendant. It’s a heavy piece. The silver content is very high,” Zaengle said. The necklace retains its original patina and has not been cleaned. It is expected to sell in the vicinity of $800.

Many artist-signed Native-American jewelry items will cross the auction block at Stephenson’s, including sand-cast pieces from the 1920s. “These designs stand out because they’re very weighty, and you can almost see where each piece was molded in the sand,” Zaengle said. All of the stones are natural, as opposed to having been dyed or treated.

From a different consignor comes a mini collection of superior-quality Mexican silver jewelry. A highlight is a desirable Hector Aguilar bracelet that has a presciently modern look. A similar example is shown in a leading Mexican jewelry reference book.

Jewelry buyers will have an abundance of choice in this sale. An impressive sapphire and diamond necklace is valued at approximately $1,800; while a “very modern and understated” Italian mesh necklace of white and yellow gold with diamonds is entered with an estimate of $1,000.

A 1920s platinum and diamond bracelet estimated at $2,500 is delicately detailed, which would suggest it is from the period bridging the Edwardian and Art Deco eras. “Some very pretty jewelry was produced during this time of transition. The linear look had not yet come into its own,” Zaengle noted.

Those who enjoy classic timepieces will find an abundance of quality in this auction. A top lot is an 18K gold-cased Vacheron & Constantin man’s wristwatch estimated at $1,500.

Stephenson’s is well established in the Philadelphia area as an estates specialist. Without exception, each of their sales includes at least one exciting discovery, like the Tiffany clock in the May 31 offering that came from a residence in the Philadelphia-area borough of Jenkintown. Standing 43 inches high, the ornate, baroque-style brass clock has an enameled face and dates to the last decade of the 19th century. Its works are marked “Tiffany & Co.”

Platinum and diamond bracelet. Stephenson’s image.

Stephenson’s owner, Cindy Stephenson, described the beautiful timekeeper as “the largest, most ornate table clock I’ve ever seen.” Among the visuals incorporated in its motif are dolphins, a woman riding Pegasus, and caryatids as the supports. Its finial is a three-dimensional figure of Father Time, seated on a sphere and holding a scythe.

“The woman who owned it is in her 90s and had childhood memories of watching her father wind the clock, but in our research we have not been able to find a comparable example. We’ve estimated it at $3,000 to $5,000, but collectors could prove us wrong and bid well above that range,” said Stephenson.

Three fine English oil-on-canvas portraits were consigned from the same Jenkintown home that produced the clock. The paintings – one of which is dated 1776 – are unsigned, English-school artworks with an interesting backstory.

“The consignor had seen a picture of a small antique shop in a magazine and was attracted to a portrait appearing in the shop’s window. She actually traveled all the way to England to try to find the shop, but knew only the name of the village where it was located,” Stephenson said. “She had to ask many people before she finally bumped into a couple in a tavern who actually knew the shop. Not only did they take her there, where she bought the three portraits in our sale, but she also became lifelong friends with the couple.”

As a further testament to the consignor’s refined taste in antiques, Stephenson’s will offer an 8ft wide breakfront from the Jenkintown home. It was custom made in the 1940s of Georgian-style flame mahogany and would add elegance to any traditional home.

Other furniture in the sale includes mid-century modern designs, such as the Peter Hvidt & O. Molgaard-Nielsen for John Stuart teakwood armchair with loose cushion and cane back. It is entered with a $1,000 estimate.

The selection of stoneware is led by a pair of cobalt-decorated chicken feeders, decorated with a botanical motif and clearly incised with the name “Thos. Haig” and the address “975 N. 2nd St. Phila.” The estimate for the pair is $2,000.

Stephenson’s Friday, May 31 Antiques & Decorative Arts Auction will begin at the earlier-than-usual time of 10 a.m. Eastern. The company’s gallery is located at 1005 Industrial Blvd., Southampton, PA 18966. Inspection is on Thursday, May 30, from 1-6 p.m., and on auction day from 9-10 a.m.

All forms of bidding will be available, including live via the Internet through LiveAuctioneers.com. View the fully illustrated online catalog and sign up to bid absentee or live via the Internet at www.liveauctioneers.com.

For additional information on any auction lot, call Cindy Stephenson at 215-322-6182 or e-mail info@stephensonsauction.com. Online: www.stephensonsauction.com.