Leslie Hindman Auctioneers – Fine Jewelry and Timepieces Auction – Chicago

April 14th, 2010 by

Catalogue Now Online

Preview:  April 15th – 17th

Auction:  April 18th – 20th

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Du Mouchelles Art Gallery – April Preview & Auction – Detroit, MI

April 14th, 2010 by

Du Mouchelles Art Gallery

409 East Jefferson Ave.

Detroit, MI 48226

For Info. call 313-963-6255

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Los Angeles Modernism Show & Sale – Barker Hanger at Santa Monica Air Center

April 14th, 2010 by

Preview Party Gala – Benefiting CalArts’ Community Arts Partnership – April 30th 6pm – 9pm

Show & Sale – Saturday, May 1st  11am – 7pm, Sunday, May 2nd  11am – 5pm

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Don Yarton Antiques Warehouse & Estate Sale – April 9th & 10th – San Antonio, Texas

April 14th, 2010 by

Featuring American and European Furniture & Accessories

April 9th & 10th  10am – 5pm

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Elder’s Fine Art & Antiques Auction – Online Auction

April 14th, 2010 by

Online Auction Hosted by iGavelAuctions.com, featuring property from various Florida Estates

Auction from April 8th – April 22nd, 2010

Live Exhibitions – April 20th  12pm – 7:30pm, April 21st 12pm – 4:30pm

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Bonhams and Butterfields Auction – Made in California: Contemporary Art

April 13th, 2010 by

Catalog Now Online
Made in California: Contemporary Art
May 3, 2010
San Francisco

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Bonhams and Butterfields Auction

April 13th, 2010 by

Catalog Now Online
April SoMa Estate Auction
Featuring 20th Century and Contemporary Designer Furnishings
April 18, 2010 10am
San Francisco

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Michigan Modernism Exposition

April 12th, 2010 by

It’s preview party time for the Detroit Area Art Deco Society as the mid-century enthusiasts open up the Michigan Modernism Exposition on April 23, 7 – 10 p.m. The annual art deco affair allows guests first dibs on some of the best 20th century antiques and fine arts from the international market while enjoying live music by Sarah Grogan and the SG Ensemble. This year Macy’s Lakeshore Grill will be presenting a delicious variety of passed hors d’oeuvres along with select wines.

For the second year, the show features a special exhibition featuring student photography of some of the most famous Art Deco structures in Metropolitan Detroit. The exhibition, which is a collaborative effort with Oakland Community College, was coordinated by DAADS Board Members Gary Spondike and historic preservation consultant Rebecca Binno Savage.

The Michigan Modernism Exposition is located at the Southfield Pavilion.
Preview party tickets are $50 in advance and can be purchased now at www.daads.org,
at select retailers listed on the Web site or by calling 248-582-3326.

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This boot was made for talkin…

April 11th, 2010 by
I can’t be the only person who feels you can never have enough shoes OR enough bling! After all, the well-heeled Marilyn Monroe convinced the world that “diamonds are a girl’s best friend” with just a few simple lyrics! So imagine my delight upon learning about this magnificent almost pure gold boot charm through Lucyanne Robinson, one of the dealers who will be exhibiting her exceptional wares at the upcoming Spring Fever Antiques and Design Show and Sale, produced by New England Antique Shows.

This tiny treasure truly is the best of both worlds, and its size defies the great history and legacy behind the piece. The charm is 2″ high, 2″ long, and 3/4″ wide at the heel.  It is made from 22 carat yellow gold (92% gold and 8% silver-copper) and weighs 67.3 grams, or about 2 1/3 ounces!  The detail work on the piece is truly exceptional.  Check out the perfectly proportioned eyelets and heels; the nails on the soles; and the way the gold has been wrinkled to look like leather.  Now that’s fancy footwork!
So besides its design and quality, what makes this boot charm so, well… charming? This one a kind piece was hand forged in France in 1974 by Jean-Marie Mazard and his daughter-in-law Jacline, who together were the design team behind the world famous Jean Mahie design studio. The company’s name is taken from a child’s attempt to pronounce “Jean-Marie.” This highly realistic boot charm is distinct and exceptional among Jean Mahie pieces, departing from the artists’ usual more freeform, fluid approach.  For comparison, the pendant pictured to the left is truly representative of the “typical” Jean Mahie style.  From the collector’s perspective, some of the things that make the boot charm so interesting are its design, period of production, and clear identification on the sole. This rarity is pictured and referenced in the book Jean Mahie the Artists and Their Work 25 Years of Sculpture, published by the Meriden-Stinehour Press in 1987.

Jean Mahie has been a global influence in the jewelry and design industries since the late 1960′s. The principals got their big break when their creations were exhibited at both Van Cleef and Arpels and Cartier in Paris. The work was extremely well received; so much so that it influenced the artistic direction at both major jewelers.  A great example of this is the hand hammered cuffs that Van Cleef and Arpels still shows on its web site and which First Lady Jackie Kennedy owned. A photo of Jackie and her Jean Mahie inspired VCA bracelet is featured above on the left.

Fast forward a few years, Jean-Marie and Jacline’s designs were noticed by retail luxury tycoon Stanley Marcus and his director of fine jewelry, Dudley Ramsden. Eventually the line was brought to the United States under an exclusive contract to the upscale Neiman-Marcus store chain. In reference to Jean Mahie designs, Stanley Marcus once wrote: “This jewelry is not for the timid.” By the late 1970s, the artists immigrated to the US and their jewelry was, and continues to be, produced piece by piece here in the US.

Today, Jean Mahie is still designing and producing unique, one of a kind jewelry creations which are coveted by collectors globally. The torch has been passed to the next generations; the company’s current collaborators are Jacline and her son. Together they continue to make hand forged pieces and describe themselves with the old gold smithing term “forgerons d’or”; clearly a “charming” name for their “gold standard” talent in jewelry design and craftsmanship.
I would like to thank Lucyanne Robinson for walking me through the details of this amazing Jean Mahie boot charm. Lucyanne specializes in exceptional and inspired jewelry. Her offerings span the 19th and 20th centuries, across the main categories of antique, vintage couture, and artisans’ one-of-a-kind works. The collection is available through select antiques shows around the U.S. For more information about this piece, please contact Lucyanne at lucyrob@swbell.net.
What is your very favorite antiquing, vintage, or design find? Let’s talk! Click here to learn more.
Learn more about New England Antique Shows and their upcoming events by clicking here!
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What’s black and white and read all over?

April 9th, 2010 by

This Steifflife column, hopefully! Pandas have always been a beloved and in-demand species, despite their relatively late introduction and infrequent appearances in the line over the years. Let’s make up for lost time and review the history of Steiff panda bears, then highlight a few popular mohair models produced from the 1950′s onward.

The first Panda Baer or Panda Bear made his Steiff debut in 1938. He was made from shaggy black and white mohair, five ways jointed and had felt paws. His feet were flat, made from a shorter nap mohair, and really resembled the “toddler feet” of Teddy Baby, another very popular Steiff design of the time. His face was detailed with glass pupil eyes that were highlighted with black airbrushing and a sweet open mouth lined in light pink felt. He was produced in 15 and 30 cm from 1938 through 1942. The picture on the left is this delightful, highly collectible Panda, taken at the Spielzeugmuseum Museum in Munich, Germany.

The success of this first early panda inspired Steiff to produce more pandas in the line as soon as the factory reopened for business after World War II. Steiff started making the pre-war Panda design again, but only in 30 cm through 1950. Then, in 1951, Steiff updated their original panda design slightly and started producing this bi-colored bear in 15, 22, 28, 35, 43, and 50 cm. The company used a suede-like grey rubber material in the place of felt on this panda’s paws and soles from 1956 onward. This newer panda pattern, also a collector’s favorite, was in the line until 1961. Moving forward, pandas made on and off again appearances in the Steiff catalog through the 1950′s, 1960′s, and 1970′s. From the early 1980′s onward, Steiff has almost continuously had a soft plush panda in the line.

So now it’s time to stir up a little panda-monium and look at some of the more interesting Steiff pandas from the early 1950′s onward.

No need to sleep on this one. Here we have Steiff’s Floppy Panda, one of Steiff’s delightful, classic “sleeping” style animals from the 1950′s and 60′s. This particularly soft panda is unjointed, made from black and white mohair and is in a prone, sleeping position. He has an open felt lined mouth and stitched black “sleeping” style eyes. Floppy Panda was produced in 17 and 28 cm and appeared in the line from 1954 to 1961.

What’s old is new again with this charming Steiff panda. This dapper 29 cm fellow is Steiff’s replica of its original debut panda bear from 1938. Like the pre-war original, he is five ways jointed and made from white and black mohair. He has an open felt lined mouth, pupil eyes, and flat felt lined feet. His nose is hand embroidered with black floss. Even his chest tag is a replica of the one that would have been worn by the original – a classic tag with an angular Teddy bear face on the bottom. This particular edition, which was produced in 29 and 35 cm in 1984 through 1985, is a United States exclusive.

Finallly, take a look at this Steiff panda and friend who just happen to have personal significance to Steiffgal. This dynamic duo none other than Foo, the Happy Panda, and Little Foo. Both are North American limited editions from 2004; Big Foo was produced in an edition of 1,500 pieces while Little Foo was produced in an edition size of 3,500. Big Foo is 25 cm, made from long wavy black and white mohair, five ways jointed, and very chubby. He has brown pupil eyes, a black mohair insert nose, and tan felt paw pads. Little Foo, the first ever Steiff panda key chain, is 10 cm and is modeled after Foo. He is five ways jointed and made from short black and white mohair. Little Foo has tiny black bead eyes, a hand-stitched nose and mouth, and a sturdy key loop on the top of his head.

So what’s so special about this perfect panda pair? Pandas are native to China, and one of the Chinese word for “luck” is “fu”. About the time that the Steiff team was naming these items and getting ready to introduce them to the world, one of Steiffgal’s good friends was in the process of adopting a baby girl from China. Steiffgal – who worked at Steiff at the time – gave these pandas the name “Foo”, a version of the word “Fu”, to honor this blessed Chinese arrival!

Steiffgal hopes this overview of Steiff pandas over the years has given you a new respect for this Steiff – and real life – “endangered species.”

Have a question about one of your Steiff treasures, rare or otherwise? Let’s talk! Click here to learn more.

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