In The News

Even a volcanic eruption couldn’t dampen interest – or prices – at Bertoia’s April 16-17 Kaufman III sessions

May 18th, 2010 by

Comic character buyers helped boost total to $2.38M

VINELAND, N.J. – Auctioneers have learned to cope with a myriad of meteorological challenges year round, from bone-chilling blizzards to terrifying tornados, but the last thing Jeanne Bertoia and her team expected to deal with over the weekend of April 16-17 was a volcanic eruption.

A cloud of ash drifting from the Eyjafjallajökull volcano in Iceland, which had erupted twice in less than a month, enshrouded much of Europe in the 48 hours prior to Bertoia’s sale of the Donald Kaufman collection, part III. The volcanic ash forced the cancellation of many flights and disrupted air traffic across northern Europe, stranding thousands of passengers. Among them were toy collectors with plans to attend the 3,700-lot sale at Bertoia’s Vineland, N.J., gallery.

“Most of the Euros made it out just before the cancellations, although David Pressland was one of the travelers stranded in London,” said Jeanne Bertoia. “Fortunately, we were able to move quickly to accommodate anyone who requested a last-minute phone line. Many others bid live via the Internet, so no one was left out.” The auction went on to gross $2.38 million; all prices quoted in this report include 15% buyer’s premium.

This was the first Kaufman auction to feature comic character toys, a category that has been somewhat soft in recent years. Buyers reacted to the introduction of fresh, top-quality comic character toys from a long-held collection with unbridled enthusiasm. Europeans bidding remotely on German examples from the collection gave new impetus to the comic toys, especially those made by Distler, Gunthermann, Eberl and Tippco, the latter being the company that produced a circa-1932 Mickey and Minnie Mouse motorcycle that sold for $65,550. “That’s almost as much as the one that sold with a box!” a voice in the audience piped up after the hammer fell on the lot.

A collector favorite, a circa-1932 Distler Mickey Mouse organ grinder with a miniature Minnie that “dances” atop the barrel organ was presented with its original, profusely illustrated box. Estimated at $10,000-$12,000, it easily scampered to $19,550 and into the hands of a bidder in the room.

Early automotive toys continued the winning streak evident in previous Kaufman sales. A rare circa-1920 clockwork fire pumper made by Germany’s premier toymaker, Marklin, sped past its estimate to settle at $48,587.50; while a boxed 1896 Faivre (French) rendition of a Panhard Levassor, nearly doubled its high estimate at $26,450. An exceptional example of a four-seat tourer, a Bing tinplate double phaeton, 13 inches long with composition chauffeur, rolled serenely to $25,300.

A circa-1900, 12-inch French tourer with robin’s-egg-blue racer-style body, two bisque-head figures and original box fetched $27,600; but the top lot of the early European tin category was another Marklin production – a circa-1903 hand-painted four-seat tourer with white body and mango-colored, faux-tufted seats. Against a high estimate of $35,000, it earned its bragging rights at $55,200.

A circa-1924 American National Packard coupe pedal car with wicker-style door panels and a fancy eagle hood ornament was the subject of considerable interest at the preview. It ended up selling over the phone for $38,000. A 1920s American National pedal fire truck with full rack of original ladders garnered an above-estimate price of $32,200.

Choice examples of figural biscuit tins from the Kaufman collection included a very rare Gray Dunn blue motorcycle with red sidecar. Against an estimate of $8,000-$10,000, it soared to $18,400.

There is no underestimating the role this auction series has played in reigniting camaraderie within the international toy community. In the cafe adjacent to the main gallery, collectors engaged in animated conversations over sandwiches and soft drinks. Ray Cassatta, a former concert promoter from Chicago who now manufactures replacement headlights for toy autos, commented: “It’s a good hobby to be in. I love that you can make new friends at auctions like this one. It beats babysitting rock stars.”

Sally Kaufman, wife of the late Donald Kaufman (co-founder of K-B Toys, who passed away on Oct. 12, 2009), attended the sale together with members of her family, and graciously chatted with bidders. After the auction, she was guest of honor at the fete Bertoia’s hosted to pay tribute to Donald Kaufman. “There was a hospitality bar, wonderful food, and a special video about Don, plus everyone had a chance to share toy-collecting memories of him. We wanted it to be a celebration of Don’s life, and everyone must have thoroughly enjoyed it, because it ran quite late,” said Jeanne Bertoia.

“Sally was delighted to see a 14-year-old toy collector bidding from the front row,” Jeanne continued. The boy’s father had taken him to the first Kaufman sessions in spring 2009, purely as an observer. There he was able to speak personally with Don Kaufman, which inspired him to return as a buyer. “It was bittersweet that he had written a letter to Don, which he was going to present to him at this sale. He didn’t realize that Don had died. He did have his picture taken with Sally and even bought a lot containing two Hubley toys. He was the youngest collector at the sale, and Sally was intrigued by him,” Jeanne said with a smile.

After the auction, Jeanne turned her attention to helping the Europeans who had attended the event but now found themselves unable to secure a return flight home. Among them were Swiss airline pilots Markus and Uta Staub; and a trio of friends who had attended all three Kaufman sales: Paul Lang and Peter Stierli, both from Switzerland; and their German friend Georg Kaul.

“They didn’t care where in Europe they got a flight to because they knew they could get a rental car or train home from just about anywhere on the Continent,” Jeanne said. “I invited them all to my house to use my computer, my speakerphone and anything else they needed to try to book a flight and extend their car rentals.’

“We also kept them entertained by taking them out to dinner and an antique show in Philadelphia,” Jeanne continued. “On Monday we had an impromptu birthday celebration for Georg, who had missed his own party that was supposed to take place in Germany.”

Fortunately, everyone was eventually able to secure a flight home. Lang, Stierli and Kaul were able to book seats on a plane out of JFK a few days after the auction. No doubt they had plenty to tell their families and fellow collectors in the days that followed.

“We had estimated the sale would do $2 million, which it well exceeded, and even though it wasn’t a $4 million sale like the Kaufman debut, line by line and item by item, it was the best sale we’ve ever had,” Bertoia Auctions associate Rich Bertoia summarized. “Sometimes in an auction there are high and low fluctuations from one lot to the next. This was a very smooth, steady sale with interest in every single item. The auctioneers didn’t have to work to get the opening bids they wanted. One very advanced cast iron collector came up to me and said, ‘Can I leave some bids for you to execute?’ I said to him, ‘Why would you want to leave now?’ and he replied, ‘I can’t buy a thing.’”

On the other hand, Rich said there were several absentee bidders who left what they felt were very competitive bids, but who also asked him to reserve a phone line for them, “just in case.” In the end, Rich said, it was the in-house bidders who claimed the majority of the auction’s contents. “After the sale, the showcases were bare,” he remarked.

As statistics go, the auction earned its place in the record books. Combined with the gross figures from Kaufman I and II, the April 2010 sessions pushed the cumulative total for the Kaufman series so far to $9.3 million – easily the highest amount ever achieved at auction by a single-owner antique toy collection. And there’s still more to come.

Bertoia Auctions will present the fourth sessions featuring the Donald Kaufman collection on Sept. 24-25, 2010. Additional details will be available soon at Tel. 856-692-1881 or email

Bonhams – New York – Photography

May 18th, 2010 by

Auction May 18th 2008



New York, San Francisco, Los Angeles

Stair Auctioneers & Appraisers – Exposition Auction

May 18th, 2010 by

English and continental furniture, silver and silverplate, metalwork, pottery and porcelain, glass carpets, decorations and fine art.

Auction May 21st, 2010  6:30pm

Hudson, NY

Marburger Farm Antique Show Brings out the Best

May 18th, 2010 by

Buyers and Sellers Enjoy Spring Blockbuster in Texas

4.21.2010 Round Top, TX  – Was it the aroma of wildflowers? The full moon in the Texas sky? The perfect weather? Or was it the mountain of antiques that set off a shopping frenzy at the March 30-April 3 Marburger Farm Antique Show in Round Top?

“I’ve never seen anything like it,” said first-time exhibitor Jeff Littrell of Atlanta, “except perhaps the ‘running of the brides’ at a Filene’s Basement sale. It was the most fun I’ve had in 30 years in the business.”

In a Texas cow pasture that blooms with antiques twice a year, customers arrived by SUV, by pick-up truck, by bus-loads of moms clubs, school clubs, groups of realtors and re-unions. Some customers even arrived by helicopter— not the first time that the 350+ dealer blockbuster show has used its helicopter parking zone.

“It’s been a long winter for America,” said show co-owner Rick McConn. “People were ready for some fun. We had the most out-of-state buyers ever, international buyers, stores buying containers of inventory and lots of kids, strollers, families, sometimes three generations together. It was a record Marburger Farm attendance. We ran out of tickets at the gate.”

“I wrote so many receipts that I had writer’s cramp in my hand,” complained a happy Larry Arnold of Colorado. “On opening Tuesday we had lots of first-time Marburger shoppers and lots of people at their first antique show ever. But on Wednesday morning early, when things were quieter, a woman from Austin stepped into my booth and bought 49 pieces of silver. She had never been here before.”

Long-time Marburger exhibitor Lowell Dunn of Canterbury Court Antiques also noted the change. Selling English furniture, Imari and Staffordshire, Dunn reported that “We always do well at Marburger, but this time we sold to lots of new customers. People are wanting value for what they are spending. They found it at Marburger Farm.”

The new shoppers reflect the show’s outreach through the internet and high-end consumer publications. The magazine Cowboys & Indians came to see what the ruckus was all about. The Maine Antique Digest sent their “Young Collectors” team, Andrew Richmond and Hollie Davis, to report on the show. Washington state bloggers Linda Albers and Dixie DeRocher came to blog the show for the first time. “We’re updating Facebook as we go through the Marburger Tents,” said Albers. “People are going nuts for Marburger Farm.”  As put it, “Marburger Farm—the best of the best.”

The Special Events Tent at the show featured Jo Packham, founder and editor of the magazine Where Women Create. Packham greeted shoppers in a fictional woman’s workshop created entirely out of antiques from Marburger Farm by nationally-known designer Gina Galvin. Galvin’s own workshop was featured on the Spring cover of the magazine. “There are more younger people here than I have ever seen at an antique show,” she said.

“I love those young women,” said Bushnell, FL dealer Buffy Charboneau, who sold an extensive collection of gold-filled Victorian bangles, many engraved with old-fashioned names. She also sold retro 1950s silver necklace and earring sets, as well as copper hand-hammered Arts and Crafts era lighting and accessories. “It was really surprising to see the younger generation interested in older things. We should have started doing this show years ago!”

Dealers reporting excellent sales included Richard Auber of Stonington, CT who sold an American chest of drawers, a French armoire, a Black Forest carving and a triptych oil painting by New York artist Frank Vincent DuMond.  Karol and Tom Streling of Kawadin, Michigan, sold primitives, Americana and an agricultural potato processing machine to be re-purposed as a table.

John Sauls, co-founder of the Marburger Farm Antique Show, had his best-ever Marburger opening day, selling quilts, quilts and more quilts. Another long-time Marburger dealer, Georgia Morel of New Roads, LA, also reported strong opening day sales of lighting, garden artifacts and industrial antiques. “I needed that shot in the arm,” she said. “We all did.”

“My favorite story from the show, however, was not opening day,” reported Morel. “At the fall show a woman had fallen hard for a railroad cart in my booth. She kept coming back to look at it to use as a coffee table, each time saying it was too expensive. After the show, her husband called and asked if he could pay over time and have me bring it to the spring show as a surprise birthday present for his wife.” Every month, Morel said, the man sent a check with the reminder that it was a surprise and to bring it with a red ribbon. At the show, the cart stood for three days in Morel’s booth with a card and red ribbon. All the dealers in the tent knew of the plan. On the third day of the show, the woman came to look at it again and saw the card with her name. She started crying, and all the nearby dealers rejoiced with her. “I was crying too,” said Morel. “It was such a gesture of love.”

Atlanta exhibitor Brian Kelley says that Marburger Farm brings out the best in both customers and dealers. “We all save our best merchandise for Marburger Farm because we know that Texans appreciate quality antiques.” Kelley sold a seven foot tall 18th c. Italian mirror and every Italian crystal chandelier that he brought. “Marburger Farm,” he said, “is one of the few shows in the country that has lots of energy every day. We sell every day, right up to the end. But one of the reasons that Marburger continues to draw huge crowds on opening day is simply this: the show is strict on security and no one gets in before the opening day. Customers know that the show is full of the best merchandise that we can find.”

After selling more than her share of French fautiels on the farm, Jeanne Tardif, also of Atlanta, summed up the week by saying that “Marburger Farm Antique Show is the best show out there.”

Come see for yourself. The Fall 2010 Marburger Farm Antique Show runs Tuesday September 28 through Saturday October 2, 2010. You can be there! For information on vendors, travel, maps, lodging, shipping and special events, see or call Rick McConn at 800-999-2148 or Ashley Ferguson at 800-947-5799.


May 17th, 2010 by

The Reidel Collection

Auktion: 12. Juni 2010
Auction: June 12th 2010

München: 27. – 30. Mai 2010
JokersArtRoom, Clemensstraße 75 (eine Auswahl)
Heilbronn: 7. – 12. Juni 2010

Munich: May 27th – May 30th 2010
JokersArtRoom, Clemensstraße 75
(a selection of glass and works)
Heilbronn: June 7th – June 12th 2010 Trappenseeschlösschen
Fon: ++49 7131-15 55 7-0 / Fax: ++49 7131-15 55 7-20 /

Auktionshaus Dr. Fischer
Trappenseeschlösschen, 74074 Heilbronn, Germany


May 17th, 2010 by

Wednesday, May 26 – 5 P.M.
Preview begins Monday, May 24, 10am to 5pm
The Complete Catalog is available online at: Dallas Auction Gallery & Live Auctioneers
Live online bidding now through Live Auctioneers

Jules Gustave Le Roy oil on canvas,
24″ x 36″

Steuben plum jade double acid cut back,
10″ Dia.

L & JG Stickley, no. 645 bookcase

Fellows & Sons – Antique & Modern Jewellery

May 13th, 2010 by

Catalog Now Online

Auction of Antique & Modern Jewellry

May 20th, 2010  10:30am

Artrageous – Gala Dinner & Art Auction

May 13th, 2010 by

This year’ ARTrageous promises to be the best ever!

Kenny “Babyface” Edmonds will be performing Live. Babyface is a 10-time Grammy winner and one of the most prolific creative forces in music history.  He has worked with everyone from Michael Jackson,  Aretha Franklin, Eric Clapton, Madonna and Mariah Carey.

After party DJ performance by Donna D’ Cruz!

May 24th, 2010  6:30

Cipriani Wall Street

New York

Las Vegas history – links to The Sands and Bugsy Siegel’s Flamingo – center stage as historic casino chips come up for auction

May 12th, 2010 by

Rare Sands $5 “cowgirl leaning on hourglass issue” chip expected to bring $30,000+ in Heritage Political & Americana auction, May 22

DALLAS, TX – In a time when Las Vegas casino revenues have dropped steeply during the recession, some of the city’s historic gaming chips have increased, literally, thousands of times in value. A Sands Las Vegas $5 Casino Chip, ninth issue, circa late-1950s, is expected to bring $30,000+ as part of Heritage Auctions May 22 Political & Americana Auction, in-person at Heritage’s Turtle Creek headquarters at 3500 Maple Avenue, and online at

The auction will include some 60 lots of scarce and rare casino chips from a variety of legendary Vegas casinos, with values ranging from several hundred to tens of thousands of dollars.

This ninth issue Sands $5 chip, with its connection the great Sands hotel, and the famous ‘hourglass’ logo, is a direct link to the history, glamour and glory of all that made Vegas what it is today,” said Tom Slater, Director of Americana Auctions at Heritage. “For a city whose hallmark is constant change this is a remarkable survivor from the golden age when the town earned its reputation as ‘Sin City.’”

This ‘hourglass’ chip features one of the best-known vintage Vegas logos; it was used in advertising and promotion throughout the 1950s and was a very appropriate emblem back when Vegas was a western-themed town. Even more impressive is the fact that this is one of only three good Sands $5 chips known, with one additional chip drilled (a common practice at casinos used to make tourist key chains of defunct chips). Of the top four chip sales to break the $100,000 mark, two were Sands chips, with a $100 eighth issue bringing $145,000. This example comes from an old collection and has not previously been offered for public sale.

This new wrinkle in the Political & Americana category marks the first time that Heritage will be including the beautiful gaming markers in one of its auctions. It is, however, a category that the company believes has great potential.

“This is a comparatively small, but growing hobby,” said Slater, “with a national organization of nearly 2000 adherents and its own magazine. What it’s lacked is a viable national auction platform to effectively serve it while also providing the visibility the hobby needs to attract new collectors. With our 500,000+ bidder-members and unparalled internet presence, Heritage is the perfect vehicle to do just that.”

Among the more intriguing of these visually stunning and valuable chips is a rare Flamingo $5 Las Vegas Casino Chip, First issue, R-6, dating to 1946. This chip is a Bugsy Siegel issue, probably the most popular chip from this famous casino as depicted in the film Bugsy. The chip is estimated at $4,000+.

“This great-looking die-cut brass inlay chip is one that top collectors cherish as they are seldom offered for sale, especially in this top-grade condition,” said Slater. “With the Bugsy Siegel and Meyer Lansky mafia affiliation, and its long and fabled history on the strip, chips and memorabilia from the Flamingo are very popular and highly sought-after by collectors of all levels.”

Two more early Vegas chips provide added heft to the collection, with a Desert Inn $5 Las Vegas Casino Chip, “Wilbur Clark’s,” Seventh Issue, R-9, Circa 1950s expected to bring between $4,000-$7,000, and a Hacienda $5 Las Vegas Casino Chip, First Issue, R-9, Circa 1956 estimated to bring $4,000-$6,000. There are only five to seven of the blue, odd-colored “Wilbur Clark face” chips known to be in collections, and the Hacienda chip, one of just six or seven known, is a rare and desirable early original chip showing the distinctive Gaucho on a Horse image that mirrored the same famous image on the revolving marquee outside the Hacienda Hotel before it was imploded in 1996.

“Heritage has been fortunate to obtain the expertise of the man universally regarded as the guru of casino chip collecting, James Campiglia,” said Slater. “Along with co-author Steve Wells, Campiglia is the author of ‘The Official U.S. Casino Chip Price Guide, the bible for serious hobbyists. James has inspected and cataloged every lot, and each chip will be sold with a certificate of authenticity signed by him. There is no better assurance of quality and accurate presentation.”

Further Highlights include, but are not limited to:

Flamingo $5 Las Vegas Casino Chip, Fifth Issue, R-8, Circa 1950s: The Fabulous Flamingo is vintage Vegas. Opened originally in 1946, it is the oldest resort on the strip still open. This casino drilled their chips as souvenirs, though some – like this one – didn’t get drilled all the way. Obverse looks just like an undrilled chip and reverse just has a partial hole. One of only two known like this. Estimate: $2000-4000.

Harrah’s $25 Reno and Lake Tahoe Casino Chip, Third Issue, R-10, Undrilled, Circa 1950s: There are a large variety of colorful Harrah’s chips to collect spanning many years from their original locations. The first Harrah’s Club opened in Reno in 1946 and, in 1955, Harrah’s Tahoe opened. Harrah’s has grown to become the largest casino chain in the world. This is an odd colored $25 chip from when black chips were predominately $100 in value. Estimate: $1500-2500.

Dunes, Roulette, 1st issue, 1955, R-8: There are approximately 10 of these chips known, which is not nearly enough to satisfy collector demand. A challenging set to complete with 19 colors logged. The Dunes likely had three tables, each with six chips. The additional chip is probably a color variant due to a re-order or a change out of a regular house chip. Until the manufacturer’s records are found, we can only speculate. Estimate: $1200-2500.

Pioneer Club, 7th issue, c. 1950, R-5: The Pioneer Club opened in 1942 in downtown Las Vegas at First & Fremont. “Vegas Vic,” whose picture is seen on the inlay of this chip, is an icon of Fremont Street and Las Vegas. Since 1951, this famous 40 foot-tall neon cowboy has been welcoming tourists and gamblers to town. Though the Pioneer Club closed in 1995, the sign is still there in front of the souvenir shop that replaced the casino. Not an extreme rarity but certainly a classic chip in the old hub mold. Estimate: $500-800.

Heritage Auctions, headed by Steve Ivy, Jim Halperin and Greg Rohan, is the world’s third largest auction house, with annual sales more than $600 million, and 500,000+ registered online bidder members. For more information about Heritage Auctions, and to join and gain access to a complete record of prices realized, along with full-color, enlargeable photos of each lot, please visit

Elvgren, Bolles and Bonestell lead record-breaking $3.4 million+ Heritage Illustration Art Auction in Beverly Hills

May 12th, 2010 by

Martignette Collection dominates top offerings; New all-time auction price records set for Enoch Bolles, Chesley Bonestell and Coles Phillips

BEVERLY HILLS — Gil Elvgren’s landmark pin-up, Bear Facts (A Modest Look; Bearback Rider), 1962, brought $191,200 in Heritage Auction Galleries Beverly Hills’ record-setting May 6 Illustration Art Auction. The auction realized more than $3.4 million total, and continued the stellar rise of the Illustration Art market, dominated by the blockbuster Estate of Charles Martignette, which continues to produce examples and record prices. All prices include 19.5 Buyer’s Premium.

Bear Facts is a particularly important example from Martignette,” said Ed Jaster, Vice President of Heritage Auctions. “Not only was it his favorite piece out of the more than 4,000 that he owned, it represents Elvgren at the peak of his powers and is viewed, by many, as the pinnacle of American pin-up art.”

More than 1100 bidders competed – in-person in Beverly Hills, via Internet, mail, phone bidding and Heritage LIVE! – on the 670 lots offered. The auction saw more than 90% of prices realized by value and more than 95% by lot total.

The good name of Elvgren produced several of the Top 10 lots in the auction, including his evocative 1961 masterpiece Jackpot, from another consignor, which soared to a $131,450 finish against its base pre-auction estimate of $30,000. The painting was not only the subject of intense bidding during the auction, it was also one of the most actively watched paintings in the entire auction, garnering more than 9,500 pre-auction page views on

A world record price of $80,663 was realized for Enoch Bolles’ surreal October 1935 Sure to Make a Hit, Film Fun magazine cover, another of Martignette’s most important pieces. Determined bidders vied for several minutes over the suggestive painting, driving it far above its’ pre-auction estimate of $10,000-$15,000.

“Bolles’ profile has been steadily rising over the last several auctions,” said Todd Hignite, Consignment Director of Illustration Art at Heritage, “so it’s not surprising that a painting like this – one of his best examples – would be subject to intense competition. This price shows that Bolles has stepped up a rung in hierarchy of great illustration artists.”

Another of the few pieces to break the Top 10 lots of the auction that didn’t have Martignette’s name attached to it came in the form of Chesley Bonestell’s Saturn Viewed from Titan, c. 1952, realizing $77,675.

“This iconic image is perhaps the most famous and recognized image Bonestell ever painted, having been used no less than in 10 different publications in its 60 years,” said Jaster. “The painting represents the top offering in the auction from the famed Frank Collection, a gathering as important to sci-fi and fantasy art in its own right as Martignette’s collection is to the illustration art genre.”

One more record-setting painting also happened to be another of Martignette’s favorites, Coles Phillips’ 1922 Holeproof Hosiery Company ad illustration, one of the most famous images of the period, certainly one of the most controversial, and one of the earliest paintings that could be considered a pin-up. Amidst much wrangling from erudite collectors, it rose to a final price of $77,675.

Among others world record prices set for individual artists, demonstrating the strength of the Illustration Art market across genres, was one set for pulp cover artist Rafael De Soto’s New Detective, pulp cover, January 1948, which realized $28,680, another for pin-up favorite Henry Clive’s 1925 Sultana, calendar illustration, proving exceedingly popular with a record $22,705 final price and Golden Age great McClelland Barclay, whose Pictorial Review cover, September 1933, saw the same record price of $22,705.

Martignette’s gathering of Alberto Vargas paintings was also amply represented in the auction with several important works, but perhaps none so much as Vargas’ early, seminal circa 1932 watercolor, Reverie, which was the artist’s top example in the auction, making its way to $77,675, more than three times its pre-auction base estimate of $18,000.

Further Highlights include, but are not limited to:

Rolf Armstrong (American, 1889-1960), Twinkle Toes, c. 1947: Pastel on board, 38 x 28.5 in., Signed center right. From the Estate of Charles Martignette. Realized $56,763.

J.C. Leyendecker (American, 1874-1951), Record Time, Cool Summer Comfort, House of Kuppenheimer ad illustration, c. 1920: Oil on canvas, 21.5 x 20 in. Not signed. From the Estate of Charles Martignette. Realized: $47,800.

Earl Moran (American, 1893-1984), A Mere Maid, Brown and Bigelow calendar illustration, c. late 1930s: Pastel on board, 38 x 29 in. Signed lower right. Truly one of the great pinups in all of the genre. This masterpiece is truly “the Great American Pin-Up” personified. Realized $35,850.

Heritage Auctions, headed by Steve Ivy, Jim Halperin and Greg Rohan, is the world’s third largest auction house, with annual sales more than $600 million, and 500,000+ registered online bidder members. For more information about Heritage Auctions, and to join and gain access to a complete record of prices realized, along with full-color, enlargeable photos of each lot, please visit