The following articles Jeff wrote recently for the St. Louis Post-Dispatch.

THE MASTERS TOURNAMENT

Arguably, a ticket to the Masters Tournament has the reputation of being the hardest ticket to get in all of sports. From my golfing aficionado friend Jerry Rockwell, a ticket is not as difficult as it has been, but it is still mighty tough. You can get a ticket if you are a patron, have connections, or, oh my gosh, have the money. Rockwell should know. A former touring pro on the Grapefruit Tour, now called The Nationwide Tour, he has been to virtually every Masters since 2005. He also holds the dubious distinction of trying to teach me how to play golf, but he failed miserably. I don’t know why, but golfing and me are simply incompatible.  Despite that, I am a golf fan, and of the Masters in particular.

Besides tickets to the Masters being difficult to procure, and relatively pricey, memorabilia also can be a bit costly as well. Try these auction results. A 2005 Arnold Palmer-signed Masters Tournament Flag went for $353, a 1974 Masters Badge for $250, and a 1975 Spectator Guide Program for $125. In addition, a 1997 Gene Sarazen button sold for $895 in a 2008 auction, while a 1998 menu signed by Tiger Woods brought in $2932.

However, one of the most unique auction items has been the 1997 Tiger Woods Masters Tournament-used golf bag. You are probably wondering how much that went for. Well, first keep in mind that 1997 was the first year that Tiger Woods won the Masters. Okay, how about $89,625. And the bag was not even signed. I don’t know who owns it, but I know I don’t. That is not your typical item. An item that is a little less expensive is a Woods-signed Masters flag. It went for $1248. A little more like it.

I wouldn’t mind adding a ticket to the Masters to my collection. Does anyone have an extra one?

NATIONAL SPORTS COLLECTORS CONVENTION

One of the true annual highlights for many sports collectors is the National Sports Collectors Convention. This year the Convention will be held, for the first time, in Baltimore, from August 4-8, 2010.

As the Convention is on the East Coast, that may defer some collectors from coming if they are from too far away. But it is good to move the venue around.

The Convention is a great opportunity to see if any of your “wish list” items are available. It is also the perfect place to see old friends in the industry.

If you haven’t been to a National before you will see booths of large and small vendors from across the country. Do yourself a favor, and have a list of what you are specifically looking for. If you don’t, and if you don’t have a budget, trust me, you can easily be overwhelmed. A few years ago I had a “wish list” of four items, and wouldn’t you know it, I found three of them at the Convention. The other one took a couple more years to get.

At this National also there will be approximately 60-70 Hall of Famers and other stars from the major sports there to sign autographs. A few of this year’s signing stars include Cal Ripken, Jr., Willie Mays, Brooks Robinson, Tom Seaver, Bart Starr, and Joe Montana.

What started out in 1980, when a group of collectors got together in a small hotel ballroom at the Los Angeles International Airport Marriott, for what became the first National Sports Collectors Convention, has now become a full-fledged major convention.

And if you do go, try to come one of the early days in the Convention. If you wait too long, some of the vendors may be gone, as well as some of the items that you specifically wanted.

See you in Baltimore.

When Teddy Roosevelt refused to shoot a bear that had been pursed to exhaustion and tied to a tree, he inspired Morris Michtom, a candy store owner, to design and sell a stuffed bear in his honor. This happened in 1902, and the Michtom bear with its jointed arms and legs would become the grand ancestor of one of the most popular and iconic toys in America. A century later, of course, it would also become a sought-after item among collectors of antique toys. But the Michtom bear shares this distinction with another bear, the Steiff bear, a toy designed and launched independently by German toymaker Richard Steiff at approximately the same time. Steiff was allegedly inspired by the sight of bears performing in a circus and wanted to create a toy that was jointed, soft, and somewhat human-shaped, part toy bear and part doll.

As all bear collectors—arctophiles—know, both Michtom and Steiff bears were a huge success. And since their popularity began to surge in 1904, any bear created before that year is considered one of the very first teddy bears in America, a rare and valuable find in the world of antique toys.

A wide diversity in teddy bear styles and features began to proliferate in 1906, and during the century that followed, many famous bear manufacturers rose and fell on the same waves that shaped American and European history. German bears, for example, experienced a reduced distribution to America during World War I. Only one German bear maker, Bing, managed to continue production during the war. This allowed British and American toymakers a new foothold in the teddy bear market, and when a certain British bear created by J. K. Farnell and Co inspired A. A. Milne to write the immortal Winnie-the-Pooh books in 1926, their ensuing popularity led Farnell bears to take their place beside Steiff and Bing bears as one of the most collectable antique toys of the present era.

So what sets Steiff, Bing, and Farnell Bears apart from other bears and from one another? As far as early Bing and Steiff bears are concerned, not much. In fact, Bing fought legally with Steiff over many early similarities between the two bears, including the famous button-in-ear feature. Early Bing bears had a metal plate attached to the ear with the letters GBN imprinted in a triangle. But after Steiff’s legal challenges, this identifier was called a “mark”, no longer a “button”, and it was moved under the left arm.

Both early Steiff and Bing bears had boot button eyes, usually black. Early Farnell bears had button eyes too, but later Farnell versions were distinguished by eyes made of amber colored glass. All three companies made their first bears with long, curved arms, spoon-shaped paws, and seams running up the front of the bear rather than the back. They also made their bears out of mohair and gave them features meant to resemble real bears, such as humped backs and longish, realistic-looking noses. Farnell bears often had stitched “claws” on the backs of their paws.

Among antique toys, Farnell, Steiff and Bing teddy bears are considered relatively safe items to collect since they are difficult to counterfeit. But always check the tags on your antique bear and keep an eye out for certain features like real mohair (not synthetic), velvet paw pads (rather than cotton), hand stitching, and wooden rather than metal or plastic joints. Also keep an eye out for “wood wool” stuffing, a kind of soft wood shaving. Even when the era of wool stuffing began in the 1920’s, Steiff, Bing, and Farnell were still using wood wool to stuff their bears’ heads.

Is your Steiff, Farnell or Bing bear valuable? As with all antique toys, the answer depends on the prevailing market and the condition of the bear. But recent buying guides have placed a Steiff jointed bear with a blank ear button, circa 1905, at about $1,225. Farnell and Bing mohair bears made before 1917 may be offered at similar prices. If you own a bear made during this period, or any plush antique toy, keep it safe. If you need to clean it, do so gently with a damp cloth. Better, have it cleaned by a professional. It’s easy enough to explain the popularity of the teddy bear—teddy bears are huggable! But this also makes them rare and valuable among antique toys, because they don’t tend to last long.

- Erin Sweeney

There are many great reasons to start a community site. Steiffgal created MySteiffLife so collectors from all over the world would have an online destination to learn and share information about vintage playthings from this remarkable toy company from Germany.

“Hello Steiffgal,

Just found your wonderful blog on the internet. And I am happy that I can clarify the mystery over the name of Revue Susi for you.

Revue was a German people-magazine from 1946 to 1966. Its mascot dog was Susi. But I believe that Susi was a dachshund (as there was a prize winning game, where you could win a sibling of Susi and the dog to be won was a dachshund!).

In the attachment you can see a picture of Susi on the front cover of the magazine.”

Best collector wishes from Germany, Claudia”

Claudia, on behalf of all the Steifflife readers, many thanks for this wonderful information on Revue Susi and the delightful magazine cover showing her probable namesake!  What an interesting story!  Steiffgal is certain that everyone would agree that this photogenic pup certainly lives up to her the covergirl (Steiffgal means cover dog!) legacy.

Do you know any Steiff insights you would like to share? Send them to Steiffgal at Steifflife@gmail.com so she can share them here with our wonderful growing community of Steiff collectors.

Have a question about one of your Steiff treasures? Let’s talk! Click here to learn more.

Love at first sight. Have you ever “felt” that way about a potential Steiff addition to your collection?  Well, Steiffgal did recently, when she came across – and ended up buying – this remarkable turn of last century felt Steiff girl doll.  Check out Steiffgal’s latest button-in-ear find and the interesting history and details behind this rare and unusual piece!

Steiffgal saw this darling blue eyed beauty recently listed on eBay and knew right away this doll belonged in her collection. This tiny treasure is 22 cm, made from flesh colored felt, and is five ways jointed. She is firmly stuffed with excelsior.  Her feet are very simple, but her hands have distinctive fingers and thumbs.  Her belly has a seam down the middle which has been carefully sewn up by hand.  The doll’s face has the traditional center seam, peachy cheeks, a happy red mouth, and very detailed ears.  She has very short mohair hair and a tiny (4 mm) Steiff button in her left ear, pictured here on the left.  She sports a cheerful orange flannel dress; a thin cotton slip; a red, white, blue, black, and green apron; and a cream, pink, magenta, and green ribbon trimmed bonnet.

22 cm Steiff felt “child-like” dolls are a really unusual size and very few variations were made; the more typical size for this product line was 28 cm. The smallest felt dolls Steiff made pre-war were 20 cm, but these were character dolls and even rarer than the 22 cm dolls under discussion here.  From 1917 through 1919, Steiff made three models of 22 cm boys and ten models of 22 cm girls.  They were differentiated by their clothing and footwear styles.  Each of these dolls had charming, well constructed matching clothing made from high end materials, including felt, velvet, calicos, wool, and embroidered muslin.  Most of the 22 cm dolls all had hats, which exactly matched the fabric or theme of their outfits.  They were also detailed with stockings and hand-made felt or leather shoes.

This felt girl is a lovely doll but it is very hard to tell which exact catalog model doll she represents. Steiffgal is certain that she is not wearing “officially made” Steiff clothes.  Her outfit is extremely well constructed but it is a bit more “peasant looking” and not nearly as color and pattern coordinated enough as the those that appeared on these dolls as they left the factory over 90 years ago.  This outfit was most likely made for this doll by a talented seamstress using leftover fabrics and materials from another home sewing project.

Besides her great looks and charming personality, one of the things that makes this doll so special is that she has a documented provenance. She comes from the estate Wildred and Oma Mangold, who died 2008 at the age of 90+.  The Mangolds lived in Armstrong, Iowa. Oma was a school teacher.  She married Wildred in 1941 and together they ran the local grocery store in Armstrong for many years. The Mangolds did not have children but were instrumental in establishing the local library where Oma served as president of the board. Wilfred collected clocks and Oma collected dolls. Oma’s collection included many foreign “souvenir” type dolls but also a Lenci, Kathe Kruse, this charming Steiff doll, and other china and bisque dolls.  Steiffgal has decided to name her Oma (which means “Granny” in German) in honor of her original owner.  Coincidentally, Steiffgal also had a Grandmother named Oma.


Readers, as always, you are all dolls for reading this post to the end. Steiffgal hopes that you have found Oma’s story and history as charming as she is.

Have a question about one of your Steiff treasures? Let’s talk! Click here to learn more.

Steiffgal is nothing but a big toothy grin this week after receiving a positive report about a family member who soon will be returning to good health. No one can disagree that a smile certainly looks better, and feels so much better, than a frown! In celebration of good news – and the hopes that some is also headed to each and every SteiffLife reader – the time is certainly right to quick look at some vintage Steiff collectibles known especially for their distinctive smiles and gleaming pearly whites!

Let’s first give a hand to terrifically toothsome Hand-Wolf Loopy or Loopy wolf puppet. Loopy is 18 cm and made from white and gray mohair . His face and the tips of his paws, ears, and nose are detailed with lightly applied black airbrushing. Loopy has green glass pupil eyes and a black stitched nose. His most prominent feature is certainly his mouth; it is open and lined in peach colored felt. He has a pinkish colored tongue and four not-so-sharp plastic canine teeth. Loopy as a puppet appeared in the Steiff line from 1956 through 1978; this model was also produced in 1964 as a full fledged standing item in 25 and 35 cm.

This next item is “long in the tooth”, both literally and figuratively! Here we have Paddy Walross or Paddy walrus, with his remarkably long white wooden tusks. Paddy is 14 cm and made from dark tan mohair that has been airbrushed with brown shading and spots. He is in what Steiff refers to as a “begging” position. Paddy has black and white googly eyes, a pink stitched nose, and mono-filament whiskers. His “moustache” is made from longer, stiff mohair, which has the look and feel of the mohair used on Steiff hedgehogs over the years. Paddy was made from 1959 through 1965 in 10, 14, and 22 cm.

Care to share a “spot” of tea with this smiling Englische Bulldogge or English Bulldog? This champion canine is 18 cm, standing, and head jointed. He is made from tan mohair that has been very carefully hand detailed with multicolored airbrushed “spots” over his body and tail end. He is has the most “sturdy” look and feel about him! His face is also painted with “wrinkles” on his forehead. He has black and white googly eyes, a black stitched nose, and outstanding mouth-area “jowls”, much like a real bulldog. He has an open, peach colored felt mouth with two lower pointy canine teeth. And just to prove he’s top-dog, he sports a red leather collar and a horse hair ruff. This English Bulldog was made from 1956 through 1961 as a United States exclusive, most likely appearing on the shelves of high end retailers such as FAO Schwarz.

Steiffgal always likes to end on a high note, but in this case our final item today is truly out of this world – both in terms of looks and scarcity! This majorly-toothed martian is Steiff’s Gruenes Maennchen, or Little Green Man. He is 35 cm tall and made from green colored trevira velvet. His proportions are much like Steiff’s iconic “lulac” animals, with their long torsos and dangling limbs. His arms and legs have wire armature so they can be posed in playful ways. His face is utterly charming. He has enormous black and white googly eyes, one thick black strand of “hair” on his forehead, pert ears, a prominent bulbous nose, and an open mouthed ear-to-ear grin. And of course… a huge set of white felt buck teeth. Little Green Man was designed for Steiff by the Belgian artist Mallet and was in the line from 1982 through 1984. It is most unusual for Steiff to produce items designed by people outside the company so his pedigree, in combination with his limited time of production, puts him on the “wish list” of many collectors around the world.

Mother Teresa once said, “Every time you smile at someone, it is an action of love, a gift to that person, a beautiful thing.” Steiffgal hopes this column gave you a smile, and that you pass that goodwill onto someone else today, too!

Have a question about one of your Steiff treasures, toothy or otherwise? Let’s talk! Click here to learn more.

Who says vintage American folk art isn’t worth its weight in gold? The scales are definitely tipped in favor of this delightful painting I found last weekend at the New England Antique Show’s Spring Fever Antiques and Design Show and Sale. Let’s take a listen – and a look – at this intriguing piece of nautically inspired artwork by Cape Cod artist Ralph Cahoon.

Click here to see a video discussion of this great piece of art!

Like anything curly, where something ends it starts again! Just a few days ago Steiffgal shared with you some of the history behind Steiff’s delightful, well-coiffed canines – the poodles! This wonderful inquiry from a reader in Massachusetts suggests that we pick up right where we left off. Stephen writes…

“Hi,

I recently bought some old dolls, toys and a few Steiff animals from a woman who had them as a child in the 1950′s.

I have not been able to identify a large white poodle anywhere online. He stands about 20″ tall from paw to top of head and 20″ long from head to tail. He has a jointed head only. He is mohair and dirty. He has a Steiff button in his right ear and a tag on one leg which is somewhat frayed. He is stuffed, but not soft.

Can you tell me anything about him?

Thank you!”

Wow, this is some rare, top dog worthy of a blue ribbon for sure! What a great “fetch!”

What Stephen has so fortunately stumbled upon is an outstanding poodle that was made for one year only, in 1952. This precious pooch’s name (like many of the Steiff poodles) is “Snobby”. Snobby was produced in 17 and 28 cm in both black and white. He is made from wool plush, with a French trim (meaning a long mohair front and a short mohair rear), and has a swivel head. Because he is described as “hard stuffed”, he is probably filled with excelsior, which is wood-wool shavings.

There are three several things, besides his really limited appearance in the Steiff line, which make this poodle most interesting from a collector’s perspective.

The first is the white tag that Stephen mentions in his note. This is a US Zone tag, which shows that this poodle was made shortly after the factory in Giengen, Germany reopened after World War ll. This small white linen tag with black lettering appears (or appeared, it tends to get loved off) on all Steiff items produced between 1947 and 1953.

The second is his rare button. As you can see, This Snobby poodle is sporting a very unusual “knopf im ohr” which has the word “Steiff” in raised in block capitals. (If you click on the picture it should enlarge…) This identification was only used from 1947 through 1952. To put things in perspective, Steiffgal only has 3 vintage Steiff items with this “all capitals” button out of a collection of several hundred vintage items.

And third is his name. This Snobby is the namesake grand-daddy of all Snobby poodles as he is the first and ORIGINAL Snobby in the Steiff line!

Steiffgal hopes that this second column on these handsome hounds has doubled your interest in Steiff poodles!

Have a question about one of your Steiff treasures? Let’s talk! Click here to learn more.

Finally! After looking for almost ten years, Steiffgal finally landed one of her dream pieces! After waiting for several anxious weeks – after all, the package was being mailed from overseas – the box finally arrived and was delivered to Steiffgal’s front step. With great excitement, Steiffgal opened the carton and right away… she knew she had it “maid” in the shade with her newest vintage find, a Steiff poodle named Maidy.

So just who is Maidy, and what makes her so special? Maidy is one of those Steiff “One-derful” items, made for just a year or so. Specifically, she appeared in the Steiff catalog in 1959 only. This black mohair beauty is standing and unjointed. She has a slightly longer mohair “beard” around her chin. Her mouth and claw stitching is done in mauve colored embroidery floss. She was produced in 25 and 30 cm; Steiffgal’s Maidy is the 30 cm version.

There are two things about Maidy, besides her very short time in production, that make her really remarkable. First are her eyes. They are gorgeous, large hand blown almond shaped “peepers”; each has a black pupil, brown iris, and white corners. Readers may recognize these eyes as the same ones that appeared on the pre-war and early post war Steiff little black Scotty dogs. The second is her remarkable mohair covering. It is analogous to the look and feel of “Persian Lamb”, that is, it is distinctly bumpy and textured, with the mohair woven in tightly wound clusters. The only other Steiff item that Steiffgal can think of that uses this textured mohair is (not surprisingly…) Swapl, the black Persian lamb, made from 1957 thorough 1964.

Maidy is an interesting and unusual branch on the Steiff family poodle tree. As a matter of fact, poodles are a legacy breed for Steiff; so much so that at least two of these standing curly coated cuties appeared in the debut catalog of 1892. Soon after, in 1894, Steiff introduced a sitting model which was produced through 1905. In 1908, Steiff gave their poodles a “makeover”; giving them a more toy-like in appearance and configuring them in a playful, begging position. Begging poodles were reintroduced in 1929 after a few years break and remained in the line until 1935. The pre-war tail-turns-head begging poodle, introduced in 1931, was reproduced as a Steiff Club limited edition replica in 1996.

Steiff poodles made an almost constant appearance in the Steiff line post WWII though the end of last century. Tosi, a wool plush poodle made in black or white, was introduced in 1950, just a few years after the factory reopened for business after the war. She was quickly followed by one of Steiff’s most beloved and popular dog designs, Snobby the Poodle. This classic Snobby pattern made her grand debut in 1953 and appeared in the line through 1974 in 10, 14, 22, 35, and 43 cm. Snobby was produced in gray or black mohair, was jointed, and had a little round red felt tongue. Her coat was cut in what Steiff refers to as the “modern trim”, meaning that her limbs, face, tail tip, and head crown were long mohair, while her body and neck were short mohair. This Snobby pattern proved so popular that she was soon being produced in as a riding toy, a puppet, and as a soft, curled up resting animal. Fast forward a few years post the classic Snobby period, Steiff continued to produce dozens of mostly soft plush play poodles in white, black, gray, and brown through the next three decades. The photos above on the left show some of the better and lesser known post-war Steiff poodles; pictured here are a grey mohair 35 cm lying Snobby poodle (1955 – 1967), a black mohair 14 cm black Snobby poodle (1953 – 1974), a 12 cm white plush Whitey poodle (1978 – 1984), and a pair of black plush 50 cm standing and begging studio poodles (1978 – 1984).

Steiffgal hopes this column has noodled your interest in these well-coiffed Steiff canines!

Have a question about one of your Steiff treasures, big-haired or otherwise? Let’s talk! Click here to learn more.

The countdown is on!