The forthcoming Russian Paintings sales in London will take place on the evening of November 28 and during the day on November 29. Highlights from the 19th century include an large moonlit view of St Petersburg by Alexei Bogoliubov at £400,000-600,000, a charming view of haystacks by Shishkin from a Danish private collection at £250,000-350,000 and one of the finest boyarina portraits by Konstantin Makovsky to be sold in recent years valued at £150,000 – 250,000. The early 20th century is represented by a rare 1914 work by Nikolai Roerich at £400,000-600,000, and a 1916 still life of Tatar artefacts by Petr Konchalovsky formerly in the collection of the art historian Waldemar George estimated at £500,000-700,000. We are delighted also to be offering high-calibre paintings by Nikolai Tarkhoff, Sergei Vinogradov, Konstantin Gorbatov, Dmitry Stelletsky and Mstislav Dobuzhinsky among others.
We are inviting consignments for our forthcoming sales. Should you wish to receive a complimentary valuation, please do not hesitate to contact our specialist team at +44 (0)207 293 5570.
Staged alongside London’s celebrated Frieze Art Fair, Sotheby’s Contemporary Art Evening Auction on 13th October will present 47 artworks of exceptional quality and rarity, spanning an era from post-war to present day.
Included among the many outstanding highlights to be offered for sale in the Evening Auction is an exceptionally strong School of London group, headlined by three extraordinary early works by Lucian Freud alongside masterly early Frank Auerbach and the most important landscape by Leon Kossoff to come to auction.
American Pop is epitomised by works representing two of Andy Warhol’s most recognisable icons: Chairman Mao and Marilyn Monroe, while masterpieces by Miquel Barceló, Peter Doig, Anselm Kiefer, Jean-Michel Basquiat, Chris Ofili and others are testament to the most exciting developments in the art of painting to have taken place over the past thirty years.
Sotheby’s Gloucestershire – Final Week to View – Material Worlds, Sotheby’s at Sudeley Castle: A Selling ExhibitionSeptember 28th, 2011 by admin
Sotheby’s is delighted to announce an exclusive collection of leading designers and artists for MATERIAL WORLDS, its second outdoor selling exhibition in collaboration with Sudeley Castle, from 28 July to 30 September 2011. The exhibition brings together cutting-edge, one-off and limited edition works in strikingly different materials by 11 artists and designers, including Tord Boontje, Amanda Levete, David Adjaye, Ingo Maurer and Paul Fryer. Set amongst the romantic ruins of Sudeley and its award-winning gardens, the works will challenge the boundaries of Design, Art and Craft.
NEW YORK – New York City’s revered Salmagundi Club – an artists’ organization founded in 1871 – is planning a major fundraiser during the month of October that comprises three auctions of juried artworks submitted by its artist-members. The auctions will be held at the Salmagundi Club on Friday, Oct. 14 at 8 p.m., Sunday, Oct. 23 at 2 p.m. (following a brunch in the dining room), and Friday Oct. 28 at 8 p.m. As a special incentive, no buyer’s premium will be payable on any artwork purchased, and to accommodate those who cannot attend in person, there will be Internet live bidding through LiveAuctioneers.com.
“Over the years, collectors have flocked to our semiannual auction fundraisers to buy top-quality artworks from some of America’s finest artists, often at very attractive prices,” said Salmagundi Club President Claudia Seymour. “When we included Internet live bidding at our March auction, it opened a new bidding avenue for art lovers around the world and resulted in some lively battles over premier artworks. We expect to see exciting competition in the October auctions, as well.”
All painting media will be represented in the October auctions, including oils on canvas, acrylics on canvas, etchings, watercolors, sculptures, pastels under glass and lithographs, some of them hand colored. Additionally, there will be original drawings, pen-and-ink works and photographs. Most of the two-dimensional works are framed, while a few are gallery-wrapped with canvas.
“We have many outstanding, well-known artists on our membership roster, and the quality of what is offered in our
upcoming auctions is quite exceptional. Our board is committed to maintaining a high level with our auctions, and that includes introducing bidders to the work of talented emerging artists, as well,” said Seymour.
In the past, Salmagundi Club auctions have operated under a fixed, flat-rate structure whereby nearly all artworks opened at $300, sculptures at $300-$400, and photos or multiple impressions at $150.
“We have done away with that method, now. We don’t want low opening prices to discourage better-known and more-accomplished artists, who get good prices in galleries, from putting their work in our sales,” said Seymour. “Our new policy is to ask the artist for a reasonable, typical price on an artwork they wish to submit, and we’ll open it at 30% of that price.”
Seymour explained how the artworks are selected for inclusion in the auctions. “Each artist-member may submit up to three pieces for consideration. Our art committee juries the art and selects those pieces that we believe have both the highest artistic merit and the greatest likelihood of selling. If three artworks from a particular artist are chosen, each will go into a different sale so they aren’t competing against each other,” Seymour said.
Proceeds from the auctioned artworks are divided evenly between the artists and the club. “Normally, if an artist sells a work through one of our exhibitions, they receive 70% and the club receives 30%, but because the fall auction series is our principal fundraiser, our artist-members have graciously agreed to a 50/50 split,” Seymour said.
Beginning on Monday, Oct. 3, all artworks entered in the fall auction series will be displayed in a public exhibition at the Salmagundi Club. On Thursday, Oct. 6, the club will host a reception from 6-8 p.m. that includes the presentation of awards to the exhibition’s prizewinners.
Exhibition hours are Monday through Friday from 1-6 p.m., and weekends from 1-5 p.m. Auction dates and times are Friday, Oct. 14 commencing at 8 p.m.; Sunday, Oct. 23 at 2 p.m. (following a brunch from 11 a.m. till 3 p.m. in the club’s dining room); and Friday Oct. 28 starting at 8 p.m. All events, including the brunch and reception, are open to the public. The Salmagundi Club is located at 47 Fifth Avenue between 11th and 12th Streets in Manhattan.
Online catalogs for the three October auctions may be viewed online at www.LiveAuctioneers.com, where prospective bidders may also sign up to bid absentee or live via the Internet. Absentee bidding will also be available via written bidding forms at the preview.
About the Salmagundi Club:
Steeped in history, the Salmagundi Club is one of the oldest art associations in the United States. Since 1917, it has been headquartered in what is now the only remaining brownstone on Fifth Avenue, directly across from the First Presbyterian Church. Its roster of past members includes such fine-art luminaries as Thomas Moran, William Merritt Chase, Louis Comfort Tiffany, N.C. Wyeth and Childe Hassam. Of its 850 currently active members, more than 600 are artists.
The club’s activities include art classes, exhibitions, painting demonstrations and both fundraising and social events. The nonprofit Salmagundi Club owns a collection of more than 1,500 works of art spanning its 140-year history.
This sale will draw together some of the finest exponents of printmaking across five centuries, encompassing a variety of styles and techniques.
Highlights from the Old Master section include Albrecht Dürer’s engraving Saint Jerome in his Study. Together with Melencolia, also in the sale, this engraving represents the pinnacle of Dürer’s achievement in this medium. Rembrandt Harmensz van Rijn is featured by a very fine and atmospheric impression of the first state of Faust.
The Modern section comprises an interesting group of works by Pablo Picasso including a series of etchings from his early period in Paris, known as La Suite des Saltimbanques.
The printed work of Joan Miró is represented by a number of rare artist’s proofs which illustrate his collaboration with the printer Mourlot. These were acquired by the present owner directly from the famous French printer who became a reference point for important 20th Century artists.
Eminent artists such as Andy Warhol, Roy Lichtenstein, as well as Keith Haring, Richard Hamilton and Damien Hirst feature in the Pop and Contemporary section.
Leland Little Auction & Estate Sales, Ltd. is proud to announce their second consecutive million dollar sale. As with all LLAES, Ltd. catalogued auctions, this sale garnered an international audience and a packed house. Over 1200 absentee and phone bids were executed on sale day, with an additional 800 bidders registered through Live Auctioneers. More than 200 bidders energized the house with traditional floor bidding.
This auction was held at LLAES, Ltd’s auction gallery in Hillsborough, North Carolina, which is currently being expanded by 5,500 square feet, bringing their overall square footage to 15,500 square feet. This expansion will offer 2000 square feet of additional gallery space, a state of the art walk in wine cooler, and ample storage space for consignors. Construction is expected to be complete by December of 2011.
This landmark auction was led by the catalogue cover lot, a 19th century French Parcel Gilt & Gem Set Jewel Casket, which brought top honors selling for $69,000 (prices include the 15% buyers premium). Despite strong international interest, this casket will remain in the United States. Another top lot was a bronze by Janet Scudder (Am., 1869-1940) which breezed past its estimate to achieve $52,900.
The remainder of the 700 lot Catalogue Auction saw strength and consistency
from start to finish. An outstanding Confederate and militaria collection opened the bidding on sale day. A Confederate North Carolina Contract Forage Cap more than doubled its estimate, hammering for $14,375. With fervent bidding between phone and floor bidders a rare Mendenhall, Jones & Gardner Confederate Rifle rose to $17,250. Another top lot was a McElroy Confederate Foot Officer’s Sword, which sold for $10,350.
This sale offered an impressive collection of North Carolina and southern pottery, the quality of which was reflected by bidding activity on sale day. An Alamance County Redware plate, circa 1880, North Carolina, which was a property deaccession from the Museum of Southern Decorative Arts to benefit their acquisitions fund, sailed past its estimate to achieve $13,225. Other top sellers include a NC Slip Decorated Redware Plate which sold for $5,750 and a NC Slip Decorated Redware Pitcher which hammered for $4,370.
American Furniture brought solid and strong bidding throughout the sale. Top lots include a Southern Federal Inlaid Serpentine Sideboard which achieved $21,850 and an outstanding American Classical Secretary Bookcase which rose to $7,475.
Estate Jewelry was led by an Edwardian Platinum & Aquamarine Pendant, which blew past its estimate with heated bidding between phone bidders and brought
$13,800. Other lots of note include a 44-carat Amethyst, Turquoise, Diamond, and Pearl Choker, which brought $6,900 and a Platinum and Three Stone Diamond Ring which hammered for $6,612.50.
Asian lots elicited much excitement from both floor and telephone bidders. Two exciting lots to watch were a Carved Soapstone Buddha, which exploded to $17,825 and a Large Chinese Porcelain Jardiniere which rallied to $17,250 and left with a floor bidder.
Fine Arts offerings were diverse and of top quality. Lots of note include an oil on canvas by Lendall Pitts (1875-1938) entitled, “Source of Romanche” which sold for $4,600; a woodcut on wove paper by Albrecht Durer (1471-1528), “The Annunciation,” which hammered for $3,910; an etching by Adriaen van Ostade (Dutch, 1610-1685), “The Gossips,” which brought $2,300; a pencil signed screen print on paper by Andy Warhol (Am. 1928-1987) which brought $3,910; and an untitled Alexander Calder (Am. 1898-1976) which sold for $2,185.
The Decorative Category was led by the sale of an outstanding Ormolu & Cut Glass Chandelier, 19th century, which
between phone and floor bidding rose to $8,050 and a Northwest Coast Polychrome Bentwood Box which soared past its estimate and brought $20,700. Another lot of note was a Swedish Gilt Bronze Garniture Set, 19th century, which hammered for $4,600.
The Fine Wine session, which was held Friday, September 16th at 6PM, was energized by a magnum bottle of La Tache, vintage 2005, which hammered for $8,912.50. Other top achievers include: four bottles of Chateau Margaux, vintage 1985, which sold for $1,380 and two lots of Chateau Lafite Rothschild, vintage 1981 and 1985, which both sailed past their $300-$400 estimates to achieve $977.50 and $920 respectively. The next Fine Wine Auction is scheduled for Friday, December 2nd at 5:30PM. To discuss buying or selling fine wines contact Mark Solomon, Fine Wine Director, at firstname.lastname@example.org.
Leland Little Auction & Estate Sales, Ltd.’s Two Day Winter Catalogue Auction will be held on December 2nd and 3rd, 2011. LLAES, Ltd. is always seeking quality consignments, whether it be an entire estate or a significant item. If you would like to discuss selling please call the gallery at 919-644-1243 or email at info@LLAuctions.com. To learn more about Leland Little Auction & Estate Sales, Ltd. please visit their website at www.LLAUCTIONS.com.
Daniels collection of antique, vintage telephones will keep collectors ‘engaged,’ Oct. 14-15 at Morphy’sSeptember 22nd, 2011 by admin
DENVER, Pa. – A large percentage of the world’s population has never even seen a dial-face telephone, but that certainly wasn’t the case with the late Bill Daniels. The massive collection of antique and vintage phones that filled his home comprised a chronological archive of Alexander Graham Bell’s 1876 invention and contained models ranging from primitive turn of the 20th century curiosities to ultra-cool mid-century designs.
A premier assemblage, the Daniels collection has been consigned to Morphy Auctions, where it will be apportioned into three subsequent General Antiques auctions, the first of which will take place on Friday and Saturday, Oct. 14 and 15, 2011. The phones will open the second session.
“Many of Bill Daniels’ phones were displayed at museums or shows, but he was
always a buyer, hardly ever a seller,” said Morphy Auctions CEO Dan Morphy. “Bill worked for AT&T’s long distance division until his retirement at age 52, so telephones were always a big part of his life.”
Daniels’ widow, Dorothy, said her husband started picking up old phones at flea markets, tag sales and church sales, later expanding his hunt to collector shows dedicated exclusively to telephones. “As his collection grew, he started thinking about the idea of a museum, so in addition to phones, he started buying phone booths, telegraphs, intercoms and other phone-related items,” Mrs. Daniels said.
One of Bill Daniels’ favorite pieces was his Watts & Co. coffin phone, which gets its name because of its distinctive shape. It is offered in the Oct. 14-15 auction with a $10,000-$20,000 estimate. Other highlights include a Western Electric magneto wall cabinet set, est. $7,000-$10,000; and an American toll 50-cent pay station telephone, est. $5,000-$10,000. Most of the phones in the collection are American, although there are also some examples from England and Japan.
The Friday session will open with more than 70 occupational shaving mugs, a category that has become closely associated with Morphy’s. A mug emblazoned with a merry-go-round is expected to bring $1,200-$1,500. Two mugs with a transportation theme carry a presale estimate of $1,000-$1,500 each. One has a depiction of a mail delivery truck, while the other is illustrated with a racecar.
Approximately 180 lots of antique apothecary items from a Pennsylvania pharmacist and pharmacology professor’s 35-year collection are included in the Friday lineup. The collection includes many “shop” bottles that 19th century pharmacists would have displayed on shelves. Most of them are glass and have labels identifying the medicinal contents by their Latin names. The containers vary in terms of decoration, with some having gold or black labels with fancy trim. Some are colorful, have diagonal labels or other distinctive designs.
The apothecary collection also includes a number of hardware items, such as an early pill roller that made pills from paste, an unusual emulsifying machine, and several counter-mounted cast-iron presses for inserting corks into bottles. “Some are quite artistic for their era and have figural designs on them, such as an alligator, sleeping dog or coiled snake,” the consignor said.
Also seen in the collection are nicely decorated 12-inch Parke-Davis “green” tins for herb and leaf storage, Victorian porcelain and ceramic display jars; mortar and pestle sets, and a sub-collection of glass apothecary candy jars. Visually appealing glass “show globes” were made to hold colored water and to be displayed on countertops, in shop windows or suspended from chains inside a pharmacy. “Legend has it that the color of the water was a signal of the general health of the community – green meant the community was healthy and red meant there was disease,” the consignor said.
A selection of 120+ pieces of pottery includes productions by Roseville, Fulper and Rookwood, as well as some very nice
mochaware. The top lot in the category is a Rookwood vase made for the 1893 Columbian Exposition in Chicago and attributed to A.R. Valentien. It stands 24 inches tall and is exquisitely decorated with owls, seashells and a large serpent on the sterling silver overlay. It could make $30,000-$50,000 on auction day. Other pottery highlights include a Roseville green Bonita jardinière with pedestal, est. $2,000-$4,000; and a 4½-inch mochaware pitcher with tree décor, applied handle and artist’s mark, est. $1,000-$5,000.
Twenty pieces of early blown glass will be auctioned. A pair of signed 10½-inch Steuben iridescent candlesticks is estimated at $1,500-$2,500; and a signed 1910 La Verre Francais art glass vase standing 11½ inches tall is expected to reach $1,500-$2,500.
More than 50 artworks have been cataloged, including a nice selection of oil paintings. A signed 15 x 20 inch Guy Carleton Wiggins New York City snowscape carries a $10,000-$16,000 estimate. For those who favor contemporary marine art, there is a Christian Riese Lassen seascape, 25 x 29 inches, estimated at $15,000-$25,000.
Asian ivory includes an intricately carved 39-inch-long tusk, $2,000-$4,000; and a 13-inch-tall plaque carved with a populated village scene, $1,000-$2,000. A fine selection of netsukes is also set to cross the auction block.
A collection of sterling silver Native American jewelry will be sold, with the top piece being a squash blossom necklace with 15 stones, estimated at $800-$1,200. Among the fine jewelry lots, the highest estimate of $5,000-$7,000 accompanies a 14K white gold filigree diamond and sapphire ring. It features a 1.1-carat VS1 center diamond in E color.
Morphy’s is located in Lancaster County, which was home to many of Pennsylvania’s earliest German settlers. It’s always exciting, Dan Morphy said, when important 18th-century documents pertaining to those early settlers emerge from area estates and collections. The Oct. 14-15 sale contains two such items. The first is a leatherbound 1767 merchant’s daybook from Lititz, Pa. The book shows merchandise purchased over a 70-year period, through 1837. “What makes it interesting is that the book is written in three or four different hands, presumably generations of the same family, and the entries are shown in shillings and pence till 1789, at which point it switches to American monetary terms,” said Morphy. Described as being in exceptional condition for its age, the daybook is estimated at $1,000-$2,000.
The other article of early Pennsylvania German origin in Morphy’s sale is a German-language copy of the Declaration of Independence that was owned by the late Glenn Redcay, a well-known local antiques dealer and businessman. Morphy believes the document may have been created 20 or 30 years after America declared its independence in 1776 and that its purpose was to inform members of the German community who were not proficient in English. “Over the years Glenn had it appraised several times, and the appraisal values ranged anywhere from $5,000 to $150,000. We’ve entered it in the sale with a $5,000-$10,000 estimate,” Morphy said.
The 1,200-lot auction is rounded out with a grouping of more than 70 figural celluloid tape measures, including the only
known Snow White and the Seven Dwarfs set (with 6 Dwarfs), est. $2,000-$3,000; and a few Oriental rugs. A tightly woven 9 x 12½ ft. Kirman originally purchased for $50,000 is conservatively estimated at $10,000-$20,000.
All forms of bidding will be available for the Oct. 14-15 auction, including live at the gallery, by phone or absentee, and live via the Internet through Morphy Live (sign up at www.morphyauctions.com) or LiveAuctioneers.com. The sale will begin at 10 a.m. Eastern time on both days.
For additional information on any lot in the auction, call Morphy’s at 717-335-3435 or
e-mail email@example.com. View the fully illustrated catalog and all other auction information online at www.morphyauctions.com.