Archive for April, 2012
From the late 1970’s through today the legendary Second Growth Gruaud Larose has had an extraordinary run of success that justifiably ranks the Chateau amongst the Super Seconds, but it has also always been favourably priced and offers real value for money.The second wine, Sarget de Gruaud Larose is an extraordinary value, with legitimate ageing potential in its own right, with over half the yearly production making it into Sarget.
Highlighting the Flemish pictures in this year’s mid-season sale of Old Master and British pictures are a restituted depiction of St. Christopher and the Christ child by the Master of Frankfurt, a finely preserved and typical Wedding Feast by Hieronymous Francken and a beautiful pair of river landscapes by Theobald Michau. There is a host of Italian paintings from four centuries, including a fascinating Deposition by an unknown seventeenth century Genoese painter and a number of interesting religious panels from the early 16th century such as the Sienese Giorgio di Giovanni’s Madonna and child with saints. Two single-owner groups of landscapes anchor the Dutch section, while there is a particularly large selection of British marine and sporting art, including works by Brooking, Swaine, Huggins and Whitcombe.
On May 10th, Sotheby’s new sale of British & Irish Art will take place in London with dedicated sections for Victorian, Early 20th Century, Sporting & Marine, Scottish and Irish Art. The sale has brought together an outstanding collection of drawings, watercolours, oil paintings and sculpture that celebrates the distinct character of British and Irish art. We hope this fresh approach will both answer the demand of new buyers who collect across a variety of genres and engage collectors worldwide.
Each section features superb examples, with sale highlights including John O’Connor’s dramatic London view, Ludgate, Evening (lot 4), Dante Gabriel Rossetti’s powerful and passionate Joan of Arc (lot 11), Arthur Hughes’ The Birthday Picnic (lot 17), a portrait commission that displays the artist at his most original and accomplished, and Edmund Blair Leighton’s monumental God Speed (lot 26). Sir Alfred Munnings leads the Early 20th Century and Sporting sections with Somwhere the Sun is Shining (lot 54) and Portrait of William Waldorf, 2nd Viscount Astor on Bill’s Simondale II (lot 82). Scottish Art is strongly represented by the Colourists, led by Francis Campbell Boileau Cadell’s modern masterpiece, The Red Fan (lot 106), alongside fine examples by traditional and contemporary artists. Sir William Orpen’s stunning Portrait of Rose, Fourth Marchioness of Headfort (lot 136), with its pendant Geoffrey, Fourth Marquis of Headfort (lot 137), recall an enduring love-story that captivated Edwardian Britain, emerging here on the market for the first time. Further Irish highlights include paintings by Jack Butler Yeats, Louis le Brocquy and Roderic O’Conor amongst a broad offering of works featuring the best of past and contemporary artists.
In our auctions of Modern & Post-War British Art in London this May we are thrilled to present so many works unseen in public for generations – from two very rare early Vorticist works by William Roberts ( Lot 1) and Frederick Etchells (Lot 2) to a group of superb paintings by Peter Lanyon, Alan Davie and William Roberts deaccessioned from a North American Institution (Lots 4, 5 and 17). The sale also includes an exciting group of monumental sculpture from the Jerwood Sculpture Collection that provides an exceptional insight into sculptural practice in Britain since the Second World War (Lots 18-22; 148-160).
The sales cover the breadth of British art in the 20th Century – from superb Modernist examples by Ben Nicholson, to Post-War abstracts and sculpture by Sir Terry Frost, William Scott, Lynn Chadwick, Henry Moore and Dame Barbara Hepworth, and into the last twenty years with two monumental canvases by Sean Scully.
PHILADELPHIA – Renowned for its art institutions and rich multicultural heritage, Philadelphia will soon add another very colorful feather to its cap. Material Culture, the city’s popular 60,000-sq.-ft. showplace for antiques, textiles and handcrafted decorative arts, will introduce its new auction division on May 5, 2012 with a 500-lot sale titled “New World Orders.” All forms of bidding will be available, including live via the Internet through LiveAuctioneers.com.
Material Culture’s wealth of experience and loyal following of customers, advisors and associates worldwide set the stage for the company’s entry into the auction arena, said founder/owner George Jevremovic.
“Our relationships with collectors and other friends in the business have been built on a basis of mutual trust over 30-plus years. I’ve been reaching out to them over the past two years, and our May auction debut is a tribute to those people and connections,” said Jevremovic.
No matter how broad a descriptive brush one uses, it is a formidable challenge to categorize the mix of artworks in the May 5 sale. Lot after lot, the word “unique” springs to mind, whether it’s a mystical 12th-century carved marble relief from northern India or a brilliantly-hued Felipe Jesus Consalvos cigar-band artwork.
Material Culture has always been thought of as something of an eclectic wonderland for decorators and homeowners seeking offbeat artworks and one-of-a-kind statement pieces.
“Our aesthetic knows no boundaries – it runs from Asian antiquities to classic Nakashima furniture to outside-the-box creations by self-taught artists,” said Jevremovic. “Now we have the opportunity to share our discoveries with the world via the auction route.”
A survey of the array of international treasures chosen for Material Culture’s auction premiere starts with the predicted top lot: an original 19th-century Samuel Anderson Robb cigar store Indian. For many decades, the masterfully hand-carved figure greeted visitors entering Reese’s Antiques on Pine Street in Philadelphia. Appearing to have all-original paint, the 77-inch-tall statue has been in the same owner’s hands since the 1940s and has never before been offered for sale. An American folk art classic, it is entered in the May 5 auction with a $40,000-$60,000 estimate.
Cuban-American artist Felipe Jesus Consalvos (Cuban-American, 1891 – circa 1960) was a cigar roller whose natural talent as an artist was not widely known until after his death. Consalvos presciently created modernist collages that incorporate cigar bands and cigar-box paper as well as photographs, postage stamps and magazine images. His mixed-media depiction titled Guitar – one of several Consalvos artworks in the sale – could make $6,000-$8,000.
Contemporary Chinese painter Guo Runwen’s early oil on canvas titled Standing Nude with Back View was purchased directly from the artist in 1988 at his studio in Guangzhou, China. Fresh from a Delaware collection, the 31½- by 21½-inch artwork is estimated at $30,000-$40,000. Another 20th-century Chinese painting, Fan Zeng’s (b. 1955-) ink and color on paper titled Zhong Kui Shen Wei, is signed and bears two seals. In vertical format measuring 53 by 26 inches, it carries an estimate of $6,000-$8,000.
There are many early Asian works scheduled to cross the auction block, including a dimensionally carved 12th-century marble relief from Jain in northern India. Featuring deities, elephants and other animals in a temple setting, it measures 30½ by 10 inches and is 7 inches deep. Estimate: $4,000-$6,000. Also to be offered is a finely carved 18th-century Chinese ivory vase estimated at $4,000-$6,000.
The Dream of the Abiku Childby acclaimed African artist Prince Twins Seven-Seven (Nigerian, 1944-2011) is a stunning mélange of fantasy and color. The 40- by 27-inch artwork was created in ink, watercolor and oil on brown wrapping paper and glued to plywood. The human subject, wearing intricately patterned clothing adorned with stars, seems to leap from the setting, which also features multiple fish and a dot pattern similar to that seen in Australian aboriginal paintings. One of three works in the auction by Prince Twins Seven-Seven, it is estimated at $4,000-$6,000.
Furniture lots cross a wide spectrum of styles. A late-19th-century Syrian mirrored cabinet, crafted of walnut with mother-of-pearl and bone inlay, comes from a collection of antique Damascus furniture in the auction. The cabinet is expected to bring $8,000-$12,000. Dating from the Art Deco period, a pair of perennially stylish Bauhaus tubular steel and leather lounge chairs will be offered with a $2,000-$4,000 estimate.
Idaho-born artist James Charles Castle (American, 1899-1977) was born profoundly deaf, and it is not known to what extent he could read, write or use sign language, but he had an innate talent for creating art from found objects of humblest origin. Today, Castle’s works are found in many institutions’ collections. In 2008-2009, the Philadelphia Museum of Art organized a Castle exhibition that toured nationally. Material Culture’s May 5 auction features a James Castle drawing on paper titled Labor Day. It comes with provenance from the J Crist Gallery in Boise and could realize $4,000-$6,000.
Material Culture’s Saturday, May 5 inaugural live auction will commence at 11 a.m. Eastern Time. Preview: April 22-May 4, 10 a.m.-6 p.m. daily. The gallery is located at 4700 Wissahickon Ave., Philadelphia, PA 19144. All forms of bidding will be available, including phone, absentee or Internet live bidding through LiveAuctioneers.com. For additional information on any lot in the sale, email email@example.com or call 215-849-8030. Visit the company online at www.materialculture.com.
La Nuit enchantée of 1964 isa quintessential example of Chagall’smastery in assembling an array off olkloric images in a dense and colourful composition. This work contains several of the most important elements of hispictorial iconography; the bride, the clown-musician, the goat, the bouquetof flowers and the rooster. Each figure is masterfully rendered through a matrix of intense colour and spatial experimentation that epitomised Chagall’s work, reflecting his own very personal delight in the act of artistic creation. As Susan Compton wrote in the catalogue of the Royal Academy Chagall retrospective: ‘Throughout his life certain themes recur in the work of
Chagall: the circus, lovers and peasantstake their place beside more sombre scenes of suffering and death […]
‘For the themes in Chagall’s art are timeless, not confined to a single epochof history, but reminding man of the continuity of life for generation after generation, since the earliest days of recorded time.