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Steiff’s very own cover girl!

Tuesday, June 15th, 2010

There are many great reasons to start a community site. Steiffgal created MySteiffLife so collectors from all over the world would have an online destination to learn and share information about vintage playthings from this remarkable toy company from Germany.

That being the case, Steiffgal wanted to share this brief note from a collector in Germany who sheds some light on a Steiff mystery (at least to those of us here in the USA) that’s at least a few dog years old. Awhile back, Steiffgal wrote a post about a darling and beloved Steiff Cocker Spaniel dog named Revue Susi. Susi is sitting, made from blond mohair, and head jointed. Her head is quite detailed and completely adorable; she has large plastic pupil eyes, airbrushed “eyebrows” and lips, pronounced doggy jowls, and floppy ears made of long, lush mohair. Revue Susi was produced in 4 sizes – 12, 17, 28, and 35 cm – from 1959 through 1977.
One of the things that is really unusual about Revue Susi is her name. For some reason, Revue Susi is the only Cocker Spaniel with a name other than Cockie.  Why is that?  Check out Claudia’s note to find out!  She writes…
“Hello Steiffgal,

Just found your wonderful blog on the internet. And I am happy that I can clarify the mystery over the name of Revue Susi for you.

Revue was a German people-magazine from 1946 to 1966. Its mascot dog was Susi. But I believe that Susi was a dachshund (as there was a prize winning game, where you could win a sibling of Susi and the dog to be won was a dachshund!).

In the attachment you can see a picture of Susi on the front cover of the magazine.”

Best collector wishes from Germany, Claudia”

Claudia, on behalf of all the Steifflife readers, many thanks for this wonderful information on Revue Susi and the delightful magazine cover showing her probable namesake!  What an interesting story!  Steiffgal is certain that everyone would agree that this photogenic pup certainly lives up to her the covergirl (Steiffgal means cover dog!) legacy.

Do you know any Steiff insights you would like to share? Send them to Steiffgal at Steifflife@gmail.com so she can share them here with our wonderful growing community of Steiff collectors.

Have a question about one of your Steiff treasures? Let’s talk! Click here to learn more.

Steiff Bears

Monday, June 7th, 2010


Love at first sight. Have you ever “felt” that way about a potential Steiff addition to your collection?  Well, Steiffgal did recently, when she came across – and ended up buying – this remarkable turn of last century felt Steiff girl doll.  Check out Steiffgal’s latest button-in-ear find and the interesting history and details behind this rare and unusual piece!

Steiffgal saw this darling blue eyed beauty recently listed on eBay and knew right away this doll belonged in her collection. This tiny treasure is 22 cm, made from flesh colored felt, and is five ways jointed. She is firmly stuffed with excelsior.  Her feet are very simple, but her hands have distinctive fingers and thumbs.  Her belly has a seam down the middle which has been carefully sewn up by hand.  The doll’s face has the traditional center seam, peachy cheeks, a happy red mouth, and very detailed ears.  She has very short mohair hair and a tiny (4 mm) Steiff button in her left ear, pictured here on the left.  She sports a cheerful orange flannel dress; a thin cotton slip; a red, white, blue, black, and green apron; and a cream, pink, magenta, and green ribbon trimmed bonnet.

22 cm Steiff felt “child-like” dolls are a really unusual size and very few variations were made; the more typical size for this product line was 28 cm. The smallest felt dolls Steiff made pre-war were 20 cm, but these were character dolls and even rarer than the 22 cm dolls under discussion here.  From 1917 through 1919, Steiff made three models of 22 cm boys and ten models of 22 cm girls.  They were differentiated by their clothing and footwear styles.  Each of these dolls had charming, well constructed matching clothing made from high end materials, including felt, velvet, calicos, wool, and embroidered muslin.  Most of the 22 cm dolls all had hats, which exactly matched the fabric or theme of their outfits.  They were also detailed with stockings and hand-made felt or leather shoes.


This felt girl is a lovely doll but it is very hard to tell which exact catalog model doll she represents. Steiffgal is certain that she is not wearing “officially made” Steiff clothes.  Her outfit is extremely well constructed but it is a bit more “peasant looking” and not nearly as color and pattern coordinated enough as the those that appeared on these dolls as they left the factory over 90 years ago.  This outfit was most likely made for this doll by a talented seamstress using leftover fabrics and materials from another home sewing project.


Besides her great looks and charming personality, one of the things that makes this doll so special is that she has a documented provenance. She comes from the estate Wildred and Oma Mangold, who died 2008 at the age of 90+.  The Mangolds lived in Armstrong, Iowa. Oma was a school teacher.  She married Wildred in 1941 and together they ran the local grocery store in Armstrong for many years. The Mangolds did not have children but were instrumental in establishing the local library where Oma served as president of the board. Wilfred collected clocks and Oma collected dolls. Oma’s collection included many foreign “souvenir” type dolls but also a Lenci, Kathe Kruse, this charming Steiff doll, and other china and bisque dolls.  Steiffgal has decided to name her Oma (which means “Granny” in German) in honor of her original owner.  Coincidentally, Steiffgal also had a Grandmother named Oma.


Readers, as always, you are all dolls for reading this post to the end. Steiffgal hopes that you have found Oma’s story and history as charming as she is.

Have a question about one of your Steiff treasures? Let’s talk! Click here to learn more.

Dressing For Success With This Sheraton Period Inspired Find!

Monday, May 31st, 2010
According to legendary designer Coco Chanel, “Fashion is architecture:  it is a matter of proportions.” So is it possible that fashion could also be perfectly scaled furniture as well?  Take a look at this remarkable antique dressing table that I recently spotted at New England Antique Show’s Spring Fever Antiques and Design Show and Sale and decide for yourself!
It wouldn’t be hard to “dress for success” with this handsome piece of furniture in your boudoir. Here we have an unmarked, two-tiered Sheraton Period inspired dressing table from around 1830.  It originally belonged to a family from southern Maine who had connections to New York City.  It is constructed from solid cherry with bird’s eye maple veneers on the front face of each of its four drawers.  Each drawer has simple cherry knobs; the top right drawer has a lock (perhaps to keep secret treasures, well, secret). The back of the piece is detailed with two mirror-image curved swirls, which compliment the table’s otherwise rather linear appearance.  The table’s straight legs are slightly tapered and are finished with arrow-style feet, meaning that they are cylinder-shaped, tapered, and separated from the leg by a turned ring.
The wood used on this dressing table is simply gorgeous, even after nearly 180 years! The piece is primarily constructed from cherry.  The wood from cherry trees has been recognized for centuries for its superior woodworking properties.  As a matter of fact, there is evidence that the Greeks and Romans used cherry for furniture making as early as 400 BC!  Cherry wood starts out a rich red-brown color and darkens with age; it takes finishes well and retains its satiny, glowing appearance due to its generally uniform texture.
The other “eye catching” wood on this piece is the bird’s eye maple detailing on the drawers. No one really knows what causes this pattern of tiny swirling eyes in the wood grain; scientists believe it is a combination of genetics, location, climate, microbes, and other factors.  In addition to the maple as seen on this table, the “bird’s eye” pattern can also be found in maple, ash, mahogany, beech, walnut, and birch lumber.  Because wood with bird’s eye qualities is relatively rare, it can cost several times that of other woods.  This helps to explain why it is used in limited quantities and as a veneer on this Sheraton Period dressing table.
So what exactly is the “Sheraton Period?” The Sheraton period dates from approximately 1790 through 1820.  It is named after Thomas Sheraton, an Englishman who lived from 1751 through 1806.  Sheraton started out his career as a cabinet builder, but in his late 30′s he moved to London where he became a consultant and teacher in the furniture industry.   Sheraton is best known for his writings, which were quite influential at the time. These publications included “The Cabinet Maker’s and Upholsterer’s Drawing Book” in 1791, “The Cabinet Directory” in 1803, and “Cabinet Maker, Upholsterer and General Artist’s Encyclopaedia” in 1805.  Interestingly, it is believed that Sheraton never actually built any of the items featured in his books, so the “Sheraton Period” refers to a type of design rather than a specific manufacturer or artist.
Furniture from the Sheraton Period has several typical features, many which are evident on the dressing table under discussion. Overall, pieces are rectilinear and symmetrical in style. They have a study but elegant look to them.  Sheraton designs have legs that tend to be straight and tapered; sometimes they are reeded or have detailing to resemble classical columns.  They also usually have simple rectangular or cylindrical feet; heavier pieces may have bracket or bun feet.  Another very common feature is the use of more than one type of wood for decorative purposes.
Knock on wood, I would like to thank Martin Ferrik of Martin J. Ferrick Antiques of Lincolnville, ME sharing this nearly two century old piece fine piece of furniture with me. Martin specializes in American and fine arts and is a regular dealer at New England Antique Shows throughout the year.  Wooden it be nice to make this piece yours?  Email Martin at martinjferrick@yahoo.com for more information!
What is your very favorite antiquing, vintage, or design find? Let’s talk! Click here to learn more.
Learn more about New England Antique Shows and their upcoming events by clicking here!

Saturday, May 29th, 2010
Hands in the air! The wonderful long weekend that heralds summer has finally arrived here in the USA!  To celebrate this most welcomed seasonal occurrence – usually accompanied by “hands on” gardening and BBQing -  let’s take a look at some of Steiff’s finest handiwork, puppets from the 20th century! This article originally appeared awhile back in Teddy Bear and Friends, Steiffgal’s favorite collector’s publication. If you are not a subscriber, sign up today!
Primarily known for their classic and endearing Teddies, animals, and dolls, Steiff also has a vibrant legacy of creating charming and beautifully made hand puppets. Some designs are based on popular Steiff patterns, some reflect heroes and heroines from folk tales and traditions, while others are original products of sheer creativity. As a lifelong collector and student of the Steiff brand, Steiffgal has always been fascinated by classic vintage Steiff hand puppets – those produced from the turn of the 20th century through the end of the 1960’s. So, let’s put a spotlight on some of these great players from Steiff’s “golden era” of producing hand puppets!

First, let’s get on the same page of the program about what Steiffgal means by pre-1970’s “hand puppets”. Most interestingly, the basic design of these puppets hasn’t changed since their debut almost a century ago. They all are basically 17 cm, plus or minus a bit. Most have a relatively simple “glove-like” body with two floppy unjointed arms. Almost all have a hollow but hard, fully detailed, excelsior stuffed head. To use the puppet, a person would insert their hand into the glove, put their pinky into one arm, their thumb into the other, and their middle finger into the hollow head, which is supported by a cardboard tube up the center.
Now onto the puppets themselves. Although the first Steiff catalog was produced in 1892, Steiffgal’s research shows that hand puppets did not appear in these publications until 1911. However, the designs for a puppet bear, cat, and dog had all been registered in a German patent office since 1909. Steiff used the adjective “Punch” to describe their earliest puppets; perhaps in reference to the traditional “Punch and Judy” puppet shows which regularly appeared across Europe in the late 19th and early 20th century. The earliest Steiff puppets produced included punch bear, punch Charles (a King Charles Spaniel), punch cat, punch fox, punch chimp, and punch fox terrier. Each was made from mohair and based on the most popular animals in the line at the time. Pictured on the left is a series of early punch chimps from 1911 onward.
Many of Steiff’s most beloved classic characters were “born” in the 1920’s, so it is not surprising that most of them were produced as hand puppets around the end of that “roaring” decade. This allowed the company to meet the public’s growing demand for these wonderful “branded” characters as well as to expand their audience for these items. Models that made the transition from toy to hand puppet include Molly the puppy, Bully the bulldog, Petsy the blue eyed baby bear, Teddy baby, Siamy the Siamese cat, and Treff the bloodhound. As these items were all made for active play, very few have survived to this day; all are considered treasures and exceptionally rare – especially in good condition!
Steiff had the license to manufacture several internationally known characters in the late 1920’s and early 1930’s. Two of these included Felix the Cat and Mickey Mouse. Of course, Steiff seized the opportunity to produce each as a hand puppet as well! Felix the Cat was produced from 1925 through 1926; he was 20 cm and made from felt and mohair. A 24 cm velvet Mickey Mouse was produced from 1931 through 1933. Both are extremely rare today and coveted among vintage Steiff collectors, puppet fans, as well as Felix and Mickey aficionados.
The early post war years were a time of great creativity at Steiff, and this energy and “out of the box” thinking is evident in their hand puppet designs, too. The word “Hand” was substituted for “Punch” when describing these puppets manufactured after 1949, perhaps to “rebrand” the line as a modern plaything. As expected, production resumed on several pre-war hand puppet classics, including Jocko the monkey, Teddy baby, Molly the puppy, and a tabby cat. However, many new named designs were introduced as well, including Sarras the boxer, an updated Foxy fox terrier and Bully the bulldog, Dally the Dalmatian, Wittie the owl, Loopy the wolf, Snobby the poodle, Gaty the crocodile, Mungo the baboon, and Leo the lion. These “new designs” were made as toys as well as puppets; all were made of mohair. Steiff also introduced the first PVC/rubber headed puppets in the early 1950’s; these debut items included a dwarf, Santa Claus, and Mecki hedgehog. Most of these items were produced in large quantities and were distributed broadly; as a result they are relatively accessible to collectors today.
In addition to these post war hand puppets, Steiff also briefly produced a new style of mohair puppet from 1958 through 1959. Called “Mimic”; these items were five finger hand puppets with four posable limbs and a movable mouth. Three models were produced: a 28 cm Mimic dally Dalmatian, a 28 cm Mimic Biggie beagle, and a 17 cm Mimic Tessie Schnauzer (pictured to the left with a 1960′s-era Peky Pekingese puppet). Their short appearance may have been the product of a complicated and expensive manufacturing process and less than expected sales. As a result, the short supply of these puppets translates into a high demand among collectors.
The 1960’s were a very playful era at Steiff in terms of hand puppets. Several more “unconventional” designs were introduced, including Hucky, a black raven; Hopsi the squirrel; Peky, the Pekingese; a penguin; a rooster; and a hen (pictured here on the left). Surprisingly, several hand puppets from this decade – despite their relative “newness” – top the “wish list” of many Steiff collectors. These include Snaky Snake, a gloriously airbrushed puppet with an unusual snap mouth and felt tongue; Sneba, or Snowman, a white dralon snowman with a carrot nose, a black top hat, and “coal” buttons; and Blacky the Chimney Sweep, a rubber headed character with a black mohair body, black top hat, and ladder. Each was produced for less than two years. As a result, they always generate a lot of interest when they come up for sale.
You’ve got to hand it to Steiff, whatever they do, they do it just right. Steiffgal hopes you give thumbs up to this salute to vintage Steiff hand puppets… and a high five to the creative teams at Steiff who brought these precious playthings to life over the years.
Have a question about one of your Steiff treasures, a puppet or otherwise? Let’s talk! Click here to learn more.

The mane attraction, Steiff style

Sunday, May 23rd, 2010

Steiffgal’s not lion when she says she’s roaring to answer this reader’s question about a wonderful thrift store find. Liz from Michigan City, Indiana writes:

“Hi,

So glad to have found you! My sister found this Steiff lion at a thrift store and snatched it up it was so cute. We have had Steiff animals for years. We were wondering if you could give us some information and value on him.


He is 10 1/2″ from nose to hind end and 6″ standing.  He has amber glass eyes, and a stitched dark pink nose; all his claw and mouth stitching is in good condition.

His head and his four legs are jointed. He feels like there may have been a speaker box in his torso. He can stand on his own and in very good condition. He has his whiskers and part of a frayed tag, but no ear button.

Sorry the pictures don’t do him justice but that’s what I could get. Thank you very much.

Sincerely,


Liz”

Liz, what you have here is one of the “mane events” in Steiff’s early post war production! This is Loewen-Papa or Papa Lion.  As you mentioned, he is five ways jointed and made from tan mohair.  He has an elaborate brown-tipped mane, which skinnies downward to his belly into a thin strip.  He has this same tipped mohair on the tip of his tail.  His eyes are brown with a black pupil and he has an almost red colored hand embroidered nose which is outlined in black.  His mouth is outlined in black embroidery, and he has a white mohair chin.  And yes, he did come with a squeaker. Papa Lion was produced in 14 and 22 cm from 1949 thorough 1961.

There are a few things about this design that make it very interesting from the collector’s perspective.

First of course is his “US Zone tag” sewn into the seam of his leg. This tag was included on every Steiff item that was produced in the Giengen factory from 1947 through 1953.  Given your lion has this tag, we can pinpoint his production somewhere in the 1949 through 1953 time frame.

The second is his legacy. Papa Lion very closely resembles a Steiff lion that was produced pre-war from 1910 through 1943.  This turn of last century lion was produced in 22 cm, was five ways jointed, and had a very similar face, mane, tail tuft, and body appearance.  It is extremely likely that Papa Lion is the direct descendant of this classic and historic Steiff design.

And finally is his jointing. Besides Teddy bears, five ways jointed Steiff animals are actually quite rare.  It is not unusual for an animal to be head jointed, or even head and arm jointed.  Very few five ways jointed animals are made even today as jointing is a very labor intensive – and therefore costly – endeavor.  It is interesting to note that shortly after Papa Lion was retired from the line, a new standing lion design was introduced in 1964.  He was produced in 10, 17, and 28 cm through 1975.  He had many of the same general characteristics of Papa Lion, minus his jointing.

As for value, as always, Steiffgal is not a formal appraiser and believes something is worth what someone else will pay for it. This is a wonderful item from an aesthetic as well as a collector’s perspective, and its US Zone tag and five ways jointing help make him a kingly find.  Except for missing his button, he appears to be in very good condition.  Assuming that he doesn’t have any smells, rot, rips, or other issues, Steiffgal has seen similar items sell recently in the $75 to $150 range; Steiffgal has a very similar Papa Lion and paid about $125 for it.

Steiffgal hopes this discussion about Liz’s lucky find has encouraged you to add a lion or two to your growing Steiff den.

Have a question about one of your Steiff treasures? Let’s talk! Click here to learn more.

Surprise Steiff Finds at Auction

Friday, May 14th, 2010

It’s always so much fun to hear where Steiff enthusiasts find their next big, well, find! Check out this question from a reader who is wondering if she has scored big with Steiff at a recent local auction. Leslie writes:

“Hello,

I picked up two stuffed animals at an estate sale that were touted as “Steiff” by the auctioneer; but when I purchased them I saw that neither had an authentic tag of any kind, the one simply had a handmade white hang-tag that had ‘Steiff’ written on it.
Here’s the pair: a cute fawn and kitty. I’m thinking the kitty isn’t Steiff but that the fawn might be. I don’t know a lot about Steiff other than the ones I’ve seen in antique stores and the fawn looks more in keeping with the fabric and style that I’ve seen. I did some hunting online and didn’t find any critters that looked like either to use as a reference so I am clueless.

The fawn is 8.5″ high and 8.5″ tall. She appears to be made of velveteen with what I assume is mohair in the ears, under the tail and on the chest and tummy. The eyes are a solid black/dark brown rounded beads with a white leather piece attached behind the bead. The nose and mouth are stitched, though the one side of the mouth stitching is missing on part of it. The feet and ear tips appear to be painted or dyed on the velveteen. Seems to be stuffed with excelsior and have a wire frame as her long legs and neck/body are very sturdy.

The cat is 10″ nose to tail and 3.5″ high. She seems to be made of mohair with a fiber stuffing, possibly excelsior in the legs as they sound a little “crunchy” when I squeeze them. She has stitched slits for eyes in black and an aged light pink stitched nose and mouth. Her eyes appear to look “closed” and she is sleeping face-down.

Any information or advice you can give would be greatly appreciated. Either way, they are clearly old and sweet.

Best, Leslie”

Leslie, yes, this sweet set is definitely made by Steiff and congratulations on your great score! They were both produced basically in the same time frame, so Steiffgal wouldn’t be surprised if they were purchased together for a lucky youngster maybe 40+ or so years ago. It is always nice to keep sets like this together, like old friends.

Let’s take a look at each item, and the interesting histories that accompany them.

First of course is the dear deer. But this isn’t just any forest friend, this is Steiff’s Bambi Reh or Bambi deer. She is standing, unjointed, and mostly made from light brown velvet with lighter tan spots on her back. Her chest, tail, and ears are light tan mohair. She has mile-long legs and the most precious face imaginable. Her eyes are huge almond shaped peepers with detailed white and tan painted backings. Bambi was produced from 1951 through 1972 in 14 and 22 cm. She was manufactured under a license from the Walt Disney Company. When Bambi was new, she had a special chest tag noting that partnership arrangement.

It is interesting that the Walt Disney Company released their now famous animated feature, Bambi, in the summer of 1942. This was just a few months before the time that Steiff temporarily stopped producing playthings due to the war, in 1943. Steiff began toy manufacturing again in the late 1940′s. This Steiff Bambi model was one of the very first licensed items in the line post-war, in 1951. And given that it can take months or years to secure a co-branded license, work on bringing a Bambi to the Steiff line probably was one of the earlier Steiff initiatives undertaken once the factory was open for business in 1948 or so.

It appears that the next treasure entered Leslie’s life on little cat’s feet. This cat-napping cutie is Steiff’s Floppy Kitty Cat. Kitty is made from tan mohair which has been hand-airbrushed with black stripes. She is in a flat, lying position. She is unjointed, and very soft – after all, she was designed as a sleeping companion for children (or people who used to be children!) Kitty has closed black embroidered eyes and a pink embroidered nose and mouth. She left the factory in Giengen with a bright red bow around her neck. Kitty was made from 1953 through 1969 in 17 and 28 cm.

Kitty is one of Steiff’s beloved “sleeping” style animals. Steiff produced a great number of these precious animals during the 1950’s through the 1970’s. These included a Zotty Teddy and panda bear, fox, Cocker Spaniel, Siamese cat, tabby cat, seal, and elephant, among others. They were all prone in position and referred to as “floppy” or “cosy” animals. Most were made in two standard sizes, 17 and 28 cm; all were stuffed with soft foam. Each animal had one of a number of “sleeping eyes” designs. All of these bedtime companions were simplified versions of well-known Steiff animal designs. Most, if they had legs, had them splayed out from their torsos like a “V”. The picture above on the left shows Steiff’s sleeping tiger and baby lion, other well known floppy “cats” from the same time frame as Leslie’s Kitty.

Steiffgal hopes that all readers, like Leslie, run across Steiff treasures with great legacies in the most expected – and unexpected – places!

Have a question about one of your Steiff collectibles? Let’s talk! Click here to learn more.

Smile, and the whole Steiff world smiles with you

Saturday, May 8th, 2010

Steiffgal is nothing but a big toothy grin this week after receiving a positive report about a family member who soon will be returning to good health. No one can disagree that a smile certainly looks better, and feels so much better, than a frown! In celebration of good news – and the hopes that some is also headed to each and every SteiffLife reader – the time is certainly right to quick look at some vintage Steiff collectibles known especially for their distinctive smiles and gleaming pearly whites!

Let’s first give a hand to terrifically toothsome Hand-Wolf Loopy or Loopy wolf puppet. Loopy is 18 cm and made from white and gray mohair . His face and the tips of his paws, ears, and nose are detailed with lightly applied black airbrushing. Loopy has green glass pupil eyes and a black stitched nose. His most prominent feature is certainly his mouth; it is open and lined in peach colored felt. He has a pinkish colored tongue and four not-so-sharp plastic canine teeth. Loopy as a puppet appeared in the Steiff line from 1956 through 1978; this model was also produced in 1964 as a full fledged standing item in 25 and 35 cm.

This next item is “long in the tooth”, both literally and figuratively! Here we have Paddy Walross or Paddy walrus, with his remarkably long white wooden tusks. Paddy is 14 cm and made from dark tan mohair that has been airbrushed with brown shading and spots. He is in what Steiff refers to as a “begging” position. Paddy has black and white googly eyes, a pink stitched nose, and mono-filament whiskers. His “moustache” is made from longer, stiff mohair, which has the look and feel of the mohair used on Steiff hedgehogs over the years. Paddy was made from 1959 through 1965 in 10, 14, and 22 cm.

Care to share a “spot” of tea with this smiling Englische Bulldogge or English Bulldog? This champion canine is 18 cm, standing, and head jointed. He is made from tan mohair that has been very carefully hand detailed with multicolored airbrushed “spots” over his body and tail end. He is has the most “sturdy” look and feel about him! His face is also painted with “wrinkles” on his forehead. He has black and white googly eyes, a black stitched nose, and outstanding mouth-area “jowls”, much like a real bulldog. He has an open, peach colored felt mouth with two lower pointy canine teeth. And just to prove he’s top-dog, he sports a red leather collar and a horse hair ruff. This English Bulldog was made from 1956 through 1961 as a United States exclusive, most likely appearing on the shelves of high end retailers such as FAO Schwarz.

Steiffgal always likes to end on a high note, but in this case our final item today is truly out of this world – both in terms of looks and scarcity! This majorly-toothed martian is Steiff’s Gruenes Maennchen, or Little Green Man. He is 35 cm tall and made from green colored trevira velvet. His proportions are much like Steiff’s iconic “lulac” animals, with their long torsos and dangling limbs. His arms and legs have wire armature so they can be posed in playful ways. His face is utterly charming. He has enormous black and white googly eyes, one thick black strand of “hair” on his forehead, pert ears, a prominent bulbous nose, and an open mouthed ear-to-ear grin. And of course… a huge set of white felt buck teeth. Little Green Man was designed for Steiff by the Belgian artist Mallet and was in the line from 1982 through 1984. It is most unusual for Steiff to produce items designed by people outside the company so his pedigree, in combination with his limited time of production, puts him on the “wish list” of many collectors around the world.

Mother Teresa once said, “Every time you smile at someone, it is an action of love, a gift to that person, a beautiful thing.”
Steiffgal hopes this column gave you a smile, and that you pass that goodwill onto someone else today, too!

Have a question about one of your Steiff treasures, toothy or otherwise? Let’s talk! Click here to learn more.

This American Folk Art Painting Is Worth Its Weight In Gold!

Sunday, May 2nd, 2010

Who says vintage American folk art isn’t worth its weight in gold? The scales are definitely tipped in favor of this delightful painting I found last weekend at the New England Antique Show’s Spring Fever Antiques and Design Show and Sale. Let’s take a listen – and a look – at this intriguing piece of nautically inspired artwork by Cape Cod artist Ralph Cahoon.

Click here to see a video discussion of this great piece of art!

What “hangs in the balance” here is a painting entitled “Weighing in the Catch.” The piece itself is oil on board and measures 13.75″ by 11.5″. The painting depicts an unfazed fisherman “weighing” a lovely, bejeweled mermaid, much like he would his daily catch of cod or flounder. But this take is clearly a dreamy “catch of the day!” Don’t you wonder what he’s REALLY thinking? The painting’s details include a folksy “no fishing” sign crookedly hammered to a tree, a calm ocean bay, and a lighthouse in the background.

It would be fair to say that Cape Cod and the Atlantic 0cean were pivotal influences in Ralph Cahoon’s life and career as an artist. Born in Chatham, Massachusetts in 1910, Ralph spent his early years on the beach, sailing, and fishing – and skillfully sketching these carefree pastimes for fun. In 1932, he married fellow Cape-Codder Martha Farham. Martha and her family were known for their talents in hand painting furniture. After Ralph and Martha married, they started their own very successful decorating and antiques business in Cotuit, Massachusetts. They would paint tables, chests, chairs, boxes, bookcases… just about anything that suited their fancy.  Their collector base for these one-of-a-kind items really started to expand.

Fast forward a few years to 1953 and the Cahoons started reeling in the big catch. Ralph and Martha’s work was noticed and promoted by the wealthy New York socialite, art dealer, and future co-owner of the New York Mets, Joan Whitney Payson.   Payson worked with the Cahoons to transition their talents from furniture decorating to wall art painting.  She framed some of their paintings and displayed their works in her upscale Long Island shop, called the Country Art Gallery.  They became a sensation among affluent New Yorkers, who loved them for their happy, innocent themes of carefree life by the sea.  Ralph’s works depicting playful, not-quite-risque mermaids became his “signature” pieces.   The Cahoons would go on to an almost 30 year career of commercial success, showing at galleries across the United States and through their own studio on Cape Cod.

Ralph passed away in 1982, at the age of 72. He continued to paint up until his last days.  Martha lived through 1999, and like Ralph, was an active artist until the end.   After Ralph died,  Martha sold their Cape Cod home and studio to Rosemary Rapp, a friend and local art enthusiast who converted the building to an art museum.  Today, the Cahoon Museum of American Art features works by both Ralph and Martha Cahoon, contemporary artists, as well as other well known 19th and 20th century artists including Alvan Fisher, Ralph A. Blakelock, Benjamin Champney, and Martin Lewis.  It is a wonderful destination for art lovers visiting Cape Cod and well worth the trip.

Today, Ralph Cahoon’s works continue to be of great interest for collectors. Recently, several larger pieces have sold in the $150,000 range.  This particular work, Weighing in the Catch, is available for $15,000 from Bradford Trust Fine Art of Harwich Port, Cape Cod.

Net-net, I would like to thank Roy Mennell of Bradford Trust Fine Art for hooking me up with this great piece of fishing-inspired American art. Bradford Trust Fine Art offers a wide selection of American and European 19th and 20th century art and specializes in artworks of coastal New England (including Maine and Boston area) and Cape Cod, particularly Provincetown.  For more information about this piece, please contact Roy at bradtrust@comcast.net.

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(More) oodles of Steiff poodles!

Wednesday, April 28th, 2010

Like anything curly, where something ends it starts again! Just a few days ago Steiffgal shared with you some of the history behind Steiff’s delightful, well-coiffed canines – the poodles! This wonderful inquiry from a reader in Massachusetts suggests that we pick up right where we left off. Stephen writes…

“Hi,

I recently bought some old dolls, toys and a few Steiff animals from a woman who had them as a child in the 1950′s.

I have not been able to identify a large white poodle anywhere online. He stands about 20″ tall from paw to top of head and 20″ long from head to tail. He has a jointed head only. He is mohair and dirty. He has a Steiff button in his right ear and a tag on one leg which is somewhat frayed. He is stuffed, but not soft.

Can you tell me anything about him?

Thank you!”

Wow, this is some rare, top dog worthy of a blue ribbon for sure! What a great “fetch!”

What Stephen has so fortunately stumbled upon is an outstanding poodle that was made for one year only, in 1952. This precious pooch’s name (like many of the Steiff poodles) is “Snobby”. Snobby was produced in 17 and 28 cm in both black and white. He is made from wool plush, with a French trim (meaning a long mohair front and a short mohair rear), and has a swivel head. Because he is described as “hard stuffed”, he is probably filled with excelsior, which is wood-wool shavings.

There are three several things, besides his really limited appearance in the Steiff line, which make this poodle most interesting from a collector’s perspective.

The first is the white tag that Stephen mentions in his note. This is a US Zone tag, which shows that this poodle was made shortly after the factory in Giengen, Germany reopened after World War ll. This small white linen tag with black lettering appears (or appeared, it tends to get loved off) on all Steiff items produced between 1947 and 1953.

The second is his rare button. As you can see, This Snobby poodle is sporting a very unusual “knopf im ohr” which has the word “Steiff” in raised in block capitals. (If you click on the picture it should enlarge…) This identification was only used from 1947 through 1952. To put things in perspective, Steiffgal only has 3 vintage Steiff items with this “all capitals” button out of a collection of several hundred vintage items.

And third is his name. This Snobby is the namesake grand-daddy of all Snobby poodles as he is the first and ORIGINAL Snobby in the Steiff line!

Steiffgal hopes that this second column on these handsome hounds has doubled your interest in Steiff poodles!

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This Steiff poodle has it “Maid” in the shade

Saturday, April 24th, 2010

Finally! After looking for almost ten years, Steiffgal finally landed one of her dream pieces! After waiting for several anxious weeks – after all, the package was being mailed from overseas – the box finally arrived and was delivered to Steiffgal’s front step. With great excitement, Steiffgal opened the carton and right away… she knew she had it “maid” in the shade with her newest vintage find, a Steiff poodle named Maidy.

So just who is Maidy, and what makes her so special? Maidy is one of those Steiff “One-derful” items, made for just a year or so. Specifically, she appeared in the Steiff catalog in 1959 only. This black mohair beauty is standing and unjointed. She has a slightly longer mohair “beard” around her chin. Her mouth and claw stitching is done in mauve colored embroidery floss. She was produced in 25 and 30 cm; Steiffgal’s Maidy is the 30 cm version.

There are two things about Maidy, besides her very short time in production, that make her really remarkable. First are her eyes. They are gorgeous, large hand blown almond shaped “peepers”; each has a black pupil, brown iris, and white corners. Readers may recognize these eyes as the same ones that appeared on the pre-war and early post war Steiff little black Scotty dogs. The second is her remarkable mohair covering. It is analogous to the look and feel of “Persian Lamb”, that is, it is distinctly bumpy and textured, with the mohair woven in tightly wound clusters. The only other Steiff item that Steiffgal can think of that uses this textured mohair is (not surprisingly…) Swapl, the black Persian lamb, made from 1957 thorough 1964.

Maidy is an interesting and unusual branch on the Steiff family poodle tree. As a matter of fact, poodles are a legacy breed for Steiff; so much so that at least two of these standing curly coated cuties appeared in the debut catalog of 1892. Soon after, in 1894, Steiff introduced a sitting model which was produced through 1905. In 1908, Steiff gave their poodles a “makeover”; giving them a more toy-like in appearance and configuring them in a playful, begging position. Begging poodles were reintroduced in 1929 after a few years break and remained in the line until 1935. The pre-war tail-turns-head begging poodle, introduced in 1931, was reproduced as a Steiff Club limited edition replica in 1996.

Steiff poodles made an almost constant appearance in the Steiff line post WWII though the end of last century. Tosi, a wool plush poodle made in black or white, was introduced in 1950, just a few years after the factory reopened for business after the war. She was quickly followed by one of Steiff’s most beloved and popular dog designs, Snobby the Poodle. This classic Snobby pattern made her grand debut in 1953 and appeared in the line through 1974 in 10, 14, 22, 35, and 43 cm. Snobby was produced in gray or black mohair, was jointed, and had a little round red felt tongue. Her coat was cut in what Steiff refers to as the “modern trim”, meaning that her limbs, face, tail tip, and head crown were long mohair, while her body and neck were short mohair. This Snobby pattern proved so popular that she was soon being produced in as a riding toy, a puppet, and as a soft, curled up resting animal. Fast forward a few years post the classic Snobby period, Steiff continued to produce dozens of mostly soft plush play poodles in white, black, gray, and brown through the next three decades. The photos above on the left show some of the better and lesser known post-war Steiff poodles; pictured here are a grey mohair 35 cm lying Snobby poodle (1955 – 1967), a black mohair 14 cm black Snobby poodle (1953 – 1974), a 12 cm white plush Whitey poodle (1978 – 1984), and a pair of black plush 50 cm standing and begging studio poodles (1978 – 1984).

Steiffgal hopes this column has noodled your interest in these well-coiffed Steiff canines!

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