The Gypsy people, also called Roma or Romani, can trace their origins back more than 1000 years to the Indian subcontinent. Gypsy bloodlines and cultures have since proliferated across Europe and most of the rest of the world. During the early part of the 20th century, many Gypsy families arrived in the United States, bringing with them their culture and of course their possessions, which tend to showcase the Roma’s unique skill with intricate metalwork. This skill is easily recognized in a form of rare and now highly valued antique jewelry.

Metal smelting, plating, and shaping skills were believed to have developed among the Roma more than a millennium ago and have since been passed down from one generation to the next. As a result, the most beautiful and prized antique jewelry of this century is often set in or composed of various metals, specifically copper and gold. Gold cuff bracelets and earrings, gold belts, and gold medallions made by Roma are often more valuable then the gold used to make them– worth more than their weight, so to speak. But there are other reasons why these pieces are so sought after, many originating in aspects of the Roma culture and lifestyle.

For example, as a nomadic people, Gypsies historically limit their possessions to what they can carry or wear, so jewelry has become a form of wearable currency. But this exposes items to damage and loss and so, as generations go by, truly antique jewelry can become harder to find. The Roma also traditionally bury possessions with their owner upon the owner’s death, the possible exception being a single ring given to the owners oldest daughter. Jewelry belonging to a deceased person cannot be sold, and even as these restrictions have changed and lifted over the years, it still remains taboo to sell this jewelry within the Roma community. All of these factors contribute to a general attrition of truly authentic antique jewelry displaying Roma metalwork. The current rarity of these items can also be traced to the 1930’s and the great depression which left many families in financial circumstances that forced them to pawn or melt antique jewelry pieces down in order to sell the gold.

A few features to look for when evaluating antique jewelry with Gypsy origins: First, the metalwork. Gems and stones are often set in the pieces, but Gypsy owners typically preferred to invest in gold, since gold is more difficult to counterfeit. Intricate wirework, or filigree, is also a common feature of authentic Gypsy pieces.
Keep an eye out for Gypsy motifs as well, the most popular being horseshoes, hearts, and the head of a beautiful woman in profile, often referred to as “the Gypsy queen.” If you happen to own antique jewelry displaying these images, keep in mind the Gypsy belief that such pieces are good luck to own, but bad luck to sell. This also, of course, escalates the pieces in both rarity and value.

- Erin Sweeney

Reyne interviews more dealers who display items they have attained while out picking. In this episode we see antique glass plates that were bought for a song and some interesting sewing items that are worth a lot more than you would think.

When Teddy Roosevelt refused to shoot a bear that had been pursed to exhaustion and tied to a tree, he inspired Morris Michtom, a candy store owner, to design and sell a stuffed bear in his honor. This happened in 1902, and the Michtom bear with its jointed arms and legs would become the grand ancestor of one of the most popular and iconic toys in America. A century later, of course, it would also become a sought-after item among collectors of antique toys. But the Michtom bear shares this distinction with another bear, the Steiff bear, a toy designed and launched independently by German toymaker Richard Steiff at approximately the same time. Steiff was allegedly inspired by the sight of bears performing in a circus and wanted to create a toy that was jointed, soft, and somewhat human-shaped, part toy bear and part doll.

As all bear collectors—arctophiles—know, both Michtom and Steiff bears were a huge success. And since their popularity began to surge in 1904, any bear created before that year is considered one of the very first teddy bears in America, a rare and valuable find in the world of antique toys.

A wide diversity in teddy bear styles and features began to proliferate in 1906, and during the century that followed, many famous bear manufacturers rose and fell on the same waves that shaped American and European history. German bears, for example, experienced a reduced distribution to America during World War I. Only one German bear maker, Bing, managed to continue production during the war. This allowed British and American toymakers a new foothold in the teddy bear market, and when a certain British bear created by J. K. Farnell and Co inspired A. A. Milne to write the immortal Winnie-the-Pooh books in 1926, their ensuing popularity led Farnell bears to take their place beside Steiff and Bing bears as one of the most collectable antique toys of the present era.

So what sets Steiff, Bing, and Farnell Bears apart from other bears and from one another? As far as early Bing and Steiff bears are concerned, not much. In fact, Bing fought legally with Steiff over many early similarities between the two bears, including the famous button-in-ear feature. Early Bing bears had a metal plate attached to the ear with the letters GBN imprinted in a triangle. But after Steiff’s legal challenges, this identifier was called a “mark”, no longer a “button”, and it was moved under the left arm.

Both early Steiff and Bing bears had boot button eyes, usually black. Early Farnell bears had button eyes too, but later Farnell versions were distinguished by eyes made of amber colored glass. All three companies made their first bears with long, curved arms, spoon-shaped paws, and seams running up the front of the bear rather than the back. They also made their bears out of mohair and gave them features meant to resemble real bears, such as humped backs and longish, realistic-looking noses. Farnell bears often had stitched “claws” on the backs of their paws.

Among antique toys, Farnell, Steiff and Bing teddy bears are considered relatively safe items to collect since they are difficult to counterfeit. But always check the tags on your antique bear and keep an eye out for certain features like real mohair (not synthetic), velvet paw pads (rather than cotton), hand stitching, and wooden rather than metal or plastic joints. Also keep an eye out for “wood wool” stuffing, a kind of soft wood shaving. Even when the era of wool stuffing began in the 1920’s, Steiff, Bing, and Farnell were still using wood wool to stuff their bears’ heads.

Is your Steiff, Farnell or Bing bear valuable? As with all antique toys, the answer depends on the prevailing market and the condition of the bear. But recent buying guides have placed a Steiff jointed bear with a blank ear button, circa 1905, at about $1,225. Farnell and Bing mohair bears made before 1917 may be offered at similar prices. If you own a bear made during this period, or any plush antique toy, keep it safe. If you need to clean it, do so gently with a damp cloth. Better, have it cleaned by a professional. It’s easy enough to explain the popularity of the teddy bear—teddy bears are huggable! But this also makes them rare and valuable among antique toys, because they don’t tend to last long.

- Erin Sweeney

Reyne interviews more dealers who display items they have attained while out picking. In this episode we see antique glass plates that were bought for a song and some interesting sewing items that are worth a lot more than you would think.

Reyne Haines interviews dealers who show their picking conquests, including Civil War letters from the Wars most unlucky soldier, who was shot once in the groin, recovered only to be shot in the forehead in a subsequent battle and then buried in a mass grave, which he crawled out of on his own.

Michaan’s Auction in Alameda, California is pleased to announce their partnership with decorative arts expert, Reyne Haines. Their first auction will be held in November and includes 20th Century Decorative Arts, Furniture, Jewelry and Fine Art from the Art Nouveau, Arts and Crafts, Art Deco and Mid-Century periods. They are currently accepting consignments for the inaugural sale.

Ms. Haines founded Houston’s eponymous Reyne Gallery, as well as The Finer Things in New York City. These two firms emphasize fine 20th century design in art glass, pottery, furniture, fine art and jewelry. Ms Haines expertise ranges from vintage watches to art glass to decorative arts. She has written for and has been interviewed extensively by publications including The Wall Street Journal, The Washington Post, The Chicago Tribune, The Los Angeles Times, Home and Garden, Traditional Home, and 002 Magazine. She is the author and contributor to a number of books about auctions, appraising and collecting.

Michaan’s Auctions is the leading full service auction house on the West Coast. Specializing in the appraisals and sale of antiques and fine art, Michaan’s has specialists in the fields of Furniture and Decorative Arts, Modern, Contemporary Art, European and American Paintings and Prints, Books and Manuscripts, Jewelry, Asian Works of Art and Ethnographic Art.

Established in 2002, Michaan’s Auctions holds up to thirty sales each year attracting a broad base of buyers and consignors from all over the world. With one of the largest facilities in Northern California and the Bay Area’s lowest buyers premium, Michaan’s offers buyers and sellers the opportunity to preview and bid on many unique and desirable property. Some of these pieces realized world record prices. In 2005 A.D.M. Cooper’s oil painting, “Three Graces 1915” sold for a record $21,060 and an Eduard Gaertner oil “German City Street Scene 1831” sold for $266,000.

Michaan’s has built its reputation on its ability to accept single items, groups or entire estates with its “no risk consignment policy” free of hidden fees and charges. Michaan’s specialists are dedicated to staying current on the latest issues and developments in the market and are committed to providing personalized and professional attention throughout the entire auction process.

For more information, additional photographs or to consign your own fine property contact Reyne Haines at 713.253.7505 or reyne@michaans.com. For a complete listing of Michaan’s other Fine and Estate Auctions visit: www.michaans.com

PRESS RELEASE
Press Office Contact:
Talesa Santos
510-740-0220
talesa@michaans.com

Over the years I’ve heard about people buying unclaimed storage units. I often wondered why anyone would bid on something like that…until recently.

Had I really given it any thought, I would have figured it out. People rent storage facilities for things they have no place for, but have enough value to warrant you to keep them.

It also dawned on me, that depending on the size of the storage facility, the difference in how much they were paying each month. So, you’d at least have an idea of the value of the items in the unit by how long they had it, and how much they had paid. For example, I lived in New York for 4 yrs. I didn’t want to move all of my furniture to New York from Houston at the time, along with boxes of my great grandmothers fine china, some older stuffed animals, records, etc. If you think about how much I paid in monthly rent for 4.5 years…well…you see where I am going with this.

Now before you rush out and start bidding on this week’s storage lots, keep in mind its not all fine antiques and vintage cars kept in those places.

Last week, a picker friend of mine bought a box of Ferragamo shoes, a pair of authentic Louis Vuitton trunks, and an array of Chanel, Hermes, and Missoni clothing (thanks so much for the great buys!)
A friend of his found a pair of “Blue Dog” paintings (yes, I still want them when he makes up his mind on price).

Another buyer wound up with a car, and a dead body. I kidd you not. Fortunately he had not paid for the unit when the body was discovered. Yes, he would have forfeited his money had he.
I think you should keep in mind the location of the units (what part of town), how long have they been renting, and some even let you peer in (not dig through) the units before bidding.

I’d love to hear your storage unit stories…post them here if you would!

Happy Hunting!

Reyne

Featuring property from the Fresno Metropolitan Museum of Art
July 18 & 19, 2010 10am
220 San Bruno Avenue, San FranciscoSan Francisco

Mark your calendars for August 5 – 8th. Set aside whatever you think you should be doing, check the oil and tires on your car, load up and head out to Hudson, Michigan, or Gadsden, Alabama, whichever is closest.

The stretch of road down US-127 is the Ultimate Collector Destination. This 675 mile highway becomes “The World’s Longest Yardsale” during those dates.

Originally, the idea of having the long yard sale was to bring visitors to the less traveled highways of Tennessee and Kentucky. It has grown considerably from its humble beginnings in 1987.

This event has become so popular; it even has its own Facebook page!
Rachel Ray’s show covered it in 2008 – click here to see:

A few things to make sure you bring with you should you hit the highway:

1. Bring cash – many people won’t take checks or credit cards. There is often no cell service in the rural parts of US127 and therefore credit card machines, etc will not work. Plus, as we all know in this business, cash talks!

2. Handi-wipes are your friends. I hate to say it, but you’re going to get a little dirty digging through all the goodies in search of your diamond.

3. Packing containers and wrap: You don’t want to buy something great and have it rolling around in your vehicle. Bring boxes, bubble wrap, newspaper, etc so that your finds are safely stored until arriving home.

4. Reference guides – as I said earlier, cell service is not always available, so if you are hoping to use the Internet browser to search for values, you might be out of luck in some places. Bring your reference guides for backup!

5. Your patience – the traffic can be horrible. Bring an extra bottle of patience and if you find yourself running low – stop by one of the food vendors, grab a bite to eat, visit with others there dining and your mood will be back to happy in no time!
Do you live along this highway? Have you ever shopped and scored? I’d love to hear your stories from this once a year hot spot.

Happy Hunting!

Reyne

(Northbrook, IL) A signed lithograph of his son by Pierre-August Renoir (French 1841-1919) is one of two Renoirs that will cross the block when Universal Live Auctioneers hosts an online high end fine art auction on Friday July 9 at 3:00PM Central Time. The sale will include 275 lots of original paintings, signed lithographs, sculptures and statues representing some of the best known names in the art world. Also to be offered is an extensive selection of antique and vintage posters.

Martin Shape, President of Universal Live, described the auction as, “Far and away one of Universal’s most prestigious in its fifteen year history of conducting thousands of auctions. Opening bids have been kept competitive and there is the potential for outstanding value in this sale.”

Included in the inventory is a second Renoir signed lithograph, an oil on canvas by Alfred Manessier (French 1911-1993), five Peter Max renderings (one original), signed Warhols, a signed nude and others by Wessleman and works by Rashenburg, Jim Dine, Chagall, Miro and Dali as well as Rockwell sculptures and Pescara statues.

Shape said he believes that less than 50 final full-color renderings of Renoir’s “L’Enfant au Biscuit” Child with Biscuit were produced in 1899. Renoir outdid himself and produced what is unquestionably the artist’s finest print. The colors have a pastel tonality and a delightful mat finish. Many trials must have been made before Renoir was satisfied. Some proofs exist of the drawing alone in grey-black; others have a light pink for the face. Unfinished versions were also produced in varying degrees of color. We know of only three final color stone lithographs, and this is one of those few,” Shape said. The other Renoir is “Le petit garcon au porte-plume” Little Boy with Quill Pen. In it Renoir skillfully used background shading in order to centralize the focus and the impact of his son within the composition. This intriguing portrait study of Renoir’s young son, Claude, is shown here, deep in childish thought, as he writes (or draws) with his quill pen. H!
is gaze is that of a child’s. The overall portrait is a study in concentration, beautifully rendered with thoughtful lines and form.

Just as important is the Alfred Manessier original rare early oil on canvas Sea. The scene portrays rough waters at sea, with seagulls catching the wind above. The artist also later worked in stained glass, and a hint of that can be seen in the pattern of the waves catching the light. His last work for auction was sold for $54,000 in 2007. Manessier’s art today is found in some of the most prestigious private collections and museums.

Representing a “Pop Art” rendering is one of the better known artists, James Rizzi, in It’s Time to Buy a New TV. He captures the excitement of shopping for a new television in this fantastic three dimensional artwork. It consists of many individual cut out pieces that were pasted on the background at varying heights, making the vibrant scene really “pop out”. The Artist deviated from his usual small renderings and produced a 26 by 36 inch image size. According to Shape it is rare to find a large Rizzi.

The fully illustrated catalog and registration for absentee or live bidding are available through LiveAuctioneers.com at http://www.liveauctioneers.com/catalog/22029.

For additional information on any lot in the sale, call Martin Shape at 847-412-1802 or email sales@universallive.com.